As she rose and left the piano he observed how young she was, how
graceful in her trailing dress. The forced housing of these weeks of
Gardiner's illness had quieted the restless spirit. Mrs. Carew was
womanly to him, feminine for the first time since his arrival. It was at
the end of his tongue to say, "Why did you ever marry that man?" He
thought with keen dislike of the husband whose appearance would close
the piano, silence the charming voice, and drive his aunt to find
occupation in the shops and in charities. He became too chivalrous.
"Flow gently, sweet Afton," as sung by her, echoed thence afterwards in
his mind all his life. The melody was stored in the chambers of his
memory, and whenever, in later years, he tried not to recall 700 Madison
Avenue, and the inhospitable home, maddeningly and plaintively these
tunes would come: "Roll on, silver moon," that too. How that moon rolled
and hung in the pale sky of remembrance, whose colour and hue is more
enchanting than ever were Italian skies!
Mrs. Carew had an audience composed of two people. Little Gardiner, up
and dressed in his flannel gown, and the big cousin fathering him with a
protecting arm, both in the sofa corner. Mrs. Carew's mellow voice on
those winter afternoons before Bella returned, before Mr. Carew came
back from the Club, flowed and quavered and echoed sweetly through the
room. In the twilight, before the gas came, with old-fashioned stars set
in the candelabra, the touching pathos of the ballads spoke to the
romantic Fairfax ... spoke to his twenty-three years and spoke
dangerously. He became more and more chivalrous and considered his aunt
a misunderstood and unloved woman. Long, long afterwards, a chord, a
note, was sufficient to bring before him the square drawing-room with
its columns, furnish with an agglomeration of gaudy, rich, fantastic
things expressive of her uncertain taste. He saw again the long dark
piano and the silhouette of the woman behind it, graceful, shadowy, and
felt the pressure against his arm of little Gardiner, as they two sat
sympathetically lifted to an emotional pitch, stirred as only the music
of a woman's voice in love-songs can stir a man's heart.
Bella came back and there was an end of the concerts. A charm to keep
Bella silent had not yet been found, unless that charm were a book. "She
could not read when mother sang," she said, "and more than that, it
made her cry." And when Mr. Carew's latchkey scratched in the door,
Bella flew upstairs to the top story, Antony and Gardiner followed more
slowly; Mrs. Carew shut her piano, and took the cars again to forget her
restlessness in the purchase of silks and dry goods and house
decorations, and was far from guessing the emotion she had aroused in
the breast of her nephew--"Flow gently, sweet Afton." Nothing flowed
gently in Fairfax's impetuous breast. Nothing flowed gently on the tide
of events that drifted past slowly, leaving him unsuccessful, without
any opening into fame.
Public-domain text, read in full here on John Shaqi.
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