"You know, Canon, we have succeeded in bringing to the port of New York
the Abydos Sphinx--a marvellous, gigantic creature. It is to be placed
in Central Park, in the Mall."
This, Canon Prynne had heard. "The base pedestal and fixtures are to be
yours, Cedersholm?"
The sculptor nodded. "Yes, and manual labour such as this is tremendous.
If I were in France, now, or in Italy, I could find chaps to help me. As
it is, I work alone." After a pause, he said, "However, I like the sole
responsibility."
"Now, I am not sure," returned his companion, "whether it is well to
like too sole a responsibility. As far as _I_ am concerned, no sooner do
I think myself important than I discover half a dozen persons in my
environment to whom I am doing a wrong, if I do not invite them to share
my glory."
There was no one in the small room to which the gentlemen had withdrawn,
and their chat was suddenly interrupted by a small, clear voice asking,
"Is this Mr. Cedersholm?" Neither guest had seen steal into the room and
slip from the shadow to where they sat, a little girl, slender,
overgrown, in a ridiculously short dress, ridiculous shoes and
stockings, her arms full of treasures, her dark hair falling around her
glowing cheeks, in terror of being caught and banished and punished; but
ardent and determined, she had nevertheless braved her father's
displeasure. Bella fixed her eyes on the sculptor and said rapidly--
"Excuse me for coming to father's party, but I am in a great hurry. I
want to speak to you about my Cousin Antony. He is a great genius," she
informed earnestly, "a sculptor, just like you, only he can't get any
work. If he had a chance he'd make _perfectly beautiful_ things."
The other gentleman put out his hand and drew the child to him. Unused
to fatherly caress, Bella held back, but was soon drawn within the
Canon's arm. She held out her treasures: "He did these," and she
presented to Cedersholm the white cast of her own foot.
"Cousin Antony explained that it is only a cast, and that anybody could
do it, but it _is_ awfully natural, isn't it? only so deadly white."
She held out a sheet of paper Fairfax had left at the last lesson. It
bore a sketch of Bella's head and several decorative studies. Cedersholm
regarded the cast and the paper.
"Who is Cousin Antony, my child?" asked the Canon.
"Mother's sister's son, from New Orleans--Antony Fairfax."
Cedersholm exclaimed, "Fairfax; but yes, I have a letter from a Mr.
Fairfax. It came while I was in France."
The drawing and the cast in Cedersholm's possession seemed to have found
their home. Bella felt all was well for Cousin Antony.
"Oh, listen!" she exclaimed, eagerly, "listen to our blackbird. Isn't it
perfectly beautiful?"
"Divine indeed," replied the clergyman. "Are you Carew's little
daughter?"
"Bella Carew. And I must go now, sir. Arabella is my real name."
Public-domain text, read in full here on John Shaqi.
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