"Yes," admitted Cedersholm, "they are, but ordinary talent will do very
well in my workshop, and it is all that I need in a subordinate."
Fairfax smiled lightly. "I think I may say I am a good worker, Mr.
Cedersholm. Any hod-carrier may say that without vanity, and if you turn
me out, I'll take a mason's place at two dollars a day."
Cedersholm smiled. "You don't look like a mason," he said hesitatingly,
"though you do appear muscular. What would be your suggestion with
regard to our relations?"
(Fairfax's eager heart was saying, "Oh, teach me, Master, all you know;
let me come and play with the clay, finger it, handle it; set me loose
in that big, cool, silent room beyond there; let me wander where I can
see the shadow of that cast and the white draped figure from where I
sit.")
"You are a fairly good draftsman?" Cedersholm asked. "Have you any taste
for decoration and applied design?"
"I think I have."
The Master rose. "Come to-morrow morning at ten and I'll give you
something to do. I have just accepted a contract for interior
decoration, a new house on Fifth Avenue. I might possibly make you
useful there."
* * * * *
Fairfax walked home on air. He walked from Ninth Street, where the
studio was, to his boarding-house, in the cold, still winter night--a
long tramp. In spite of his limp he swung along, his coat open, his hat
on the back of his head, his cheeks bright, his lips smiling. As he
passed under the gas lamps they shone like Oriental stars. He no longer
shivered at the cold and, warm with faith and confidence, his heart
could have melted a storm. He fairly floated up Madison Avenue, and by
his side the spirits of his ideals kept him company. Oh, he would do
beautiful things for New York city. He would become great here. He would
garland the metropolis with laurel, leave statues on its places, that
should bear his name. At ten o'clock on the following day, he was to
begin his apprenticeship, and he would soon show his power to
Cedersholm. He felt that power now in him like wine, like nectar, and in
his veins the spirit of creation, the impulse to art, rose like a
draught. His aunt should be proud of him, his uncle should cease to
despise him, and the children--they would not understand--but they would
be glad.
When he reached his boarding-house, Miss Eulalie opened the door and
cried out at the sight of his face--
"Oh, Mr. Antony; you've had good news, sir."
He put both hands on the thin shoulders, he kissed her roundly on both
cheeks. The cold fresh air was on his cool fresh lips, and the kiss was
as chaste as an Alpine breeze.
He cried: "_Good_ news; well, I reckon I have! The great Mr. Cedersholm
has given me a place in his studio."
He laughed aloud as she hung up his coat. Miss Eulalie's glasses were
pushed up on her forehead--she might have been his grandmother.
"The Lord be praised!" she breathed. "I have been praying for you night
and day."
Public-domain text, read in full here on John Shaqi.
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