Fairfax started from his meditation. "It's immense," he murmured.
"You think it does not express what is intended?" Cedersholm's clever
eyes were directed at Fairfax. "What's the matter with it?"
Without reply, the young man took up a sheet of paper and a piece of
charcoal and drew steadily for a few seconds and held out the sheet.
"Something like this ... under the four corners ... wouldn't it give an
idea ... of life? The Sphinx is winged. Doesn't it seem as if its body
should rest on life?"
If Cedersholm had in mind to say, "You have quite caught my suggestion,"
he controlled this remark, covered his mouth with his hand, and
considered--he considered for a day or two. He then went to Washington
to talk with the architects of the new State Museum. And Fairfax once
more found the four walls of the quiet studio shutting him in ... found
himself inhabiting with the friendly silence and with the long days as
spring began to come.
* * * * *
He finished the modelling of his four curious, original creatures,
beasts intended to be the supports of the Sphinx. He finished his work
in Easter week, and wrote to Cedersholm begging for his directions and
authority to have them cast in bronze.
CHAPTER XVIII
The four beasts were of heroic size. They came out of the moulds like
creatures of a prehistoric age. Benvenuto Cellini, who was to have met
his friend Antony at the foundry on the day Fairfax's first plaster cast
was carried down, failed to put in an appearance, and Fairfax had the
lonely joy, the melancholy, lonely joy, of assisting at the birth of one
of his big creatures. All four of them were ultimately cast, but they
were to remain in the foundry until Cedersholm's return.
His plans for the future took dignity, and importance, from the fact of
his success, and he reviewed with joy the hard labour of the winter, for
which in all he had been paid one hundred dollars. He was in need of
everything new, from shoes up. He was a great dandy, or would have liked
to have afforded to be. As for a spring overcoat--well, he couldn't bear
to read the tempting advertisements, and even Gardiner's microscopic
coat, chosen by Bella, caused his big cousin a twinge of envy. Bella's
new outfit was complete, a deeper colour glowed on the robin-red dress
she wore, and Fairfax felt shabby between them as he limped along into
the Park under the budding trees, a child's hand on either arm.
"Cousin Antony, why are there such _de_licious smells to-day?"
Bella sniffed them. The spring was at work under the turf, the grass was
as fragrant as a bouquet.
"Breathe it in, Cousin Antony! It makes you wish to do _heaps_ of things
you oughtn't to!"
On the pond the little craft of the school children flew about like
butterflies, the sun on the miniature sails.
Public-domain text, read in full here on John Shaqi.
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