Within the drawing-room, before a low table, sits Miss Scrope, tatting
industriously. Tatting is Miss Scrope's forte. She never does anything
else. Multitudinous antimacassars, of all shapes, patterns, and
dimensions, grow beneath her untiring touch with the most alarming
rapidity. When finished, nobody knows what becomes of them, as they
instantly disappear from view and are never heard of afterwards. They
are as good as a ghost in Pullingham, and obstinately refuse to be
laid. It was charitably, if weakly, suggested at one time, by a member
of the stronger sex, that probably she sent them out in bales as
coverings for the benighted heathen; but when it was explained to this
misguided being that tatted antimacassars, as a rule, run to holes,
and can be seen through, even he desisted from further attempts to
solve the mystery.
Miss Peyton, throwing up one of the window-sashes, steps boldly into
the drawing-room and confronts this eminent tatter.
"Good-morning," she says, sweetly, advancing with smiling lips.
Miss Scrope, who has not heard her enter, turns slowly round: to say
she started would be a gross calumny. Miss Scrope never starts. She
merely raises her head with a sudden accession of dignity. Her
dignity, as a rule, is not fascinating, and might go by another name.
"Good-afternoon, Clarissa," she says, austerely. "I am sorry you
should have been forced to make an entrance like a burglar. Has the
hall door been removed? It used to stand in the front of the house."
"I think it is there still," Miss Peyton ventures, meekly.
"But"--prettily--"coming in through the window enabled me to see you
at least one moment sooner. Shall I close it again?"
"I beg you will not distress yourself about it," says Miss Scrope,
rising to ring the bell. "When Collins comes in he will see to it."
It is a wild day, though warm and sweet, and the wind outside is
tearing madly over lawn and shrubberies into the wood beyond.
"But in the mean time you will perhaps catch cold, of rheumatism, or
something," says Clarissa, hesitating.
"Rheumatism! pugh! nonsense!" says Miss Scrope, disdainfully. "I
simply don't believe in rheumatism. It is nothing but nerves. I don't
have those ridiculous pains and aches people hug nowadays, and I don't
believe they have either; it employs their idle time trying to invent
them."
"Is Jim in?" asks Clarissa, presently, having seated herself in a
horribly comfortless but probably artistic chair.
"_James is_ in," says Miss Scrope, severely. "Do you mean my brother?
It is really almost impossible to understand young people of the
present age."
"Don't you like the name Jim?" asks Clarissa, innocently, leaning
slightly forward, and taking up the edge of Miss Scrope's last
antimacassar to examine it with tender interest. "I think it such a
dear little name, and so happily wanting in formality. I have never
called him anything else since I can remember, so it comes most
naturally to me."
Public-domain text, read in full here on John Shaqi.
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