She is an only child, and all through her young life has been petted
and caressed rather more than is good for any one. Her father had
married, somewhat late in life, a woman in every way his superior,
and, she dying two years after her marriage, he had fallen back for
consolation upon the little one left to his sole care. To him, she was
a pride, a delight, a creature precious beyond words, on whom the sun
must shine gently and the rain fall not at all.
A shy child from the first, Ruth had declined acquaintance with the
villagers, who would, one and all, have been glad to succor the
motherless girl. Perhaps the little drop of gentle blood inherited
from her mother had thriven in her veins, and thus rendered her
distant and somewhat repellent in her manners to those in her own rank
of life.
She had been sent early to a private school, had been carefully
educated far above her position, and had come home again to her
father, with all the pretty airs and unconscious softness of manner
that, as a rule, belong to good birth.
She is warm-hearted, passionate, impulsive, and singularly
reserved,--so much so that few guess at the terrible power to love, or
hate, or suffer, in silence, that lies within her. She is a special
favorite with Miss Peyton and the vicarage people (Mr. and Mrs Redmond
and their five children), with those at Hythe, and indeed with most of
the country people, Miss Scrope excepted, who gives it freely as her
opinion that she will come to no good "with her books and her high
society and general fiddle-faddling." Nobody knows what this last
means, and every one is afraid to ask.
Just now, with her pretty head bare, and her hand shading her eyes,
she is gazing down the dusty road. Her whole attitude denotes
expectancy. Every feature (she is off her guard) expresses intense and
hopeful longing,--
"Fiery Titan, who
----with his peccant heat
Has dried up the lusty liquor new
Upon the herbis in the greene mead,"
has plainly fallen in love with her to-day, as he has clothed her in
all his glory, and seems reluctant to pass her by on his homeward
journey.
The heat has made her pale and languid; but just at this moment a
faint delicate color springs into her face; and as the figure of a
young man, tall and broad-shouldered, turns the corner of the road,
she raises her hand to her cheek with a swift involuntary gesture. A
moment later, as the figure comes closer, so near that the face is
discernible, she pales again, and grows white as an early snow drop.
"Good-morning, Ruth," says Dorian Branscombe, with a smile, apparently
oblivious of the fact that morning has given place to noon many hours
agone.
Ruth returns his salutation gently, and lets her hand lie for an
instant in his.
Public-domain text, read in full here on John Shaqi.
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