It was sunset. Emily was alone upon the lawn which sloped towards the lake, and the blue still waters beneath broke, at bright intervals, through the scattered and illuminated trees. She stood watching the sun sink with wistful and tearful eyes. Her soul was sad within her. The ivy which love first wreathes around his work had already faded away, and she now only saw the desolation of the ruin it concealed. Never more for her was that freshness of unwakened feeling which invests all things with a perpetual daybreak of sunshine, and incense, and dew. The heart may survive the decay or rupture of an innocent and lawful affection--“la marque reste, mais la blessure guerit”--but the love of darkness and guilt is branded in a character ineffaceable--eternal! The one is, like lightning, more likely to dazzle than to destroy, and, divine even in its danger, it makes holy what it sears; but the other is like that sure and deadly fire which fell upon the cities of old, graving in the barrenness of the desert it had wrought the record and perpetuation of a curse. A low and thrilling voice stole upon Emily’s ear. She turned--Falkland stood beside her. “I felt restless and unhappy,” he said, “and I came to seek you. If (writes one of the fathers) a guilty and wretched man could behold, though only for a few minutes, the countenance of an angel, the calm and glory which it wears would so sink into his heart, that he would pass at once over the gulf of gone years into his first unsullied state of purity and hope; perhaps I thought of that sentence when I came to you.” “I know not,” said Emily, with a deep blush at this address, which formed her only answer to the compliment it conveyed; “I know not why it is, but to me there is always something melancholy in this hour--something mournful in seeing the beautiful day die with all its pomp and music, its sunshine, and songs of birds.” “And yet,” replied Falkland, “if I remember the time when my feelings were more in unison with yours (for at present external objects have lost for me much of their influence and attraction), the melancholy you perceive has in it a vague and ineffable sweetness not to be exchanged for more exhilarated spirits. The melancholy which arises from no cause within ourselves is like music--it enchants us in proportion to its effect upon our feelings. Perhaps its chief charm (though this it requires the contamination of after years before we can fathom and define) is in the purity of the sources it springs from. Our feelings can be but little sullied and worn while they can yet respond to the passionless and primal sympathies of Nature; and the sadness you speak of is so void of bitterness, so allied to the best and most delicious sensations we enjoy, that I should imagine the very happiness of Heaven partook rather of melancholy than mirth.”