Familiar Studies in HomerClerke, Agnes M. (Agnes Mary)
History
Familiar Studies in Homer
Clerke, Agnes M. (Agnes Mary)
Epic poetry, Greek -- History and criticism; Homer -- Criticism and interpretation
Now, some scheme of the heavens must always accompany and guide human
existence. There is literally no choice for man but to observe the
movements, real or apparent, of celestial objects, and to regulate his
actions by the measure of time they mete out to him. Nor had he at first
any other means of directing his wanderings upon the earth save by
regarding theirs in the sky. They are thus to him standards of reference
and measurement as regards both the fundamental conditions of his
being—time and space.
This intimate connexion, and, still more, the idealising influence of
the remote and populous skies, has not been lost upon the poets in any
age. It might even be possible to construct a tolerably accurate
outline-sketch of the history of astronomy in Europe without travelling
outside the limits of their works. But our present concern is with
Homer.
To begin with his mode of reckoning time. This was by years, months,
days, and hours.[16] The week of seven days was unknown to him; but in
its place we find[17] the triplicate division of the month used by
Hesiod and the later Attics, implying a month of thirty, and a year of
360 days, corrected, doubtless, by some rude process of intercalation.
These ten-day intervals were perhaps borrowed at an early stage of
Achæan civilisation from Egypt, where they correspond to the Chaldean
‘decans’—thirty-six minor astral divinities presiding over as many
sections of the Zodiac.[18] But no knowledge of the Signs accompanied
the transfer. A similar apportionment of the hours of night into three
watches (as amongst the Jews before the Captivity), and of the hours of
day into three periods or stages, prevails in both the Iliad and
Odyssey. The seasons of the year, too, were three—spring, summer, and
winter—like those of the ancient Egyptians and of our Anglo-Saxon
forefathers;[19] for the Homeric _Opora_ was not, properly speaking, an
autumnal season, but merely an aggravation of summer heat and drought,
heralded by the rising of Sirius towards the close of July. It, in fact,
strictly matched our ‘dog-days,’ the _dies caniculares_ of the Romans.
The first direct mention of autumn is in a treatise of the time of
Alcibiades ascribed to Hippocrates.[20] This rising of the dog-star is
the only indication in the Homeric poems of the use of a stellar
calendar such as we meet full-grown in Hesiod’s Works and Days. The same
event was the harbinger of the Nile-flood to the Egyptians, serving to
mark the opening of their year as well as to correct the estimates of
its length.
Footnote 16:
_Odyssey_, x. 469; xi. 294.
Footnote 17:
_Ib._ xix. 307.
Footnote 18:
Brugsch, _Zeitschrift der deutschen morgenländischen Gesellschaft_,
Bd. ix. p. 513.
Footnote 19:
Lewis, _Astronomy of the Ancients_, p. 11. Tacitus says of the
Germans, ‘Autumni perinde nomen ac bona ignorantur’ (_Germania_, cap.
xxvi.)
Footnote 20:
Smith’s _Dictionary of Antiquities_, article ‘Astronomy.’
Public-domain text, read in full here on John Shaqi.
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