Familiar Studies in HomerClerke, Agnes M. (Agnes Mary)
History
Familiar Studies in Homer
Clerke, Agnes M. (Agnes Mary)
Epic poetry, Greek -- History and criticism; Homer -- Criticism and interpretation
Him the old man Priam first beheld, as he sped across the plain,
blazing as the star that cometh forth at harvest-time, and plain
seen his rays shine forth amid the host of stars in the darkness
of night, the star whose name men call Orion’s Dog. Brightest of
all is he, yet for an evil sign is he set, and bringeth much
fever upon hapless men. Even so on Achilles’ breast the bronze
gleamed as he ran.[42]
Footnote 42:
_Iliad_, xxii. 25-32.
In the corresponding passage relating to Diomed (v. 4-7), the _naïve_
literalness with which the ‘baths of Ocean’ are thought of is conveyed
by the hint that the star shone at rising with increased brilliancy
through having newly washed in them.
Abnormal celestial appearances are scarcely noticed in the Homeric
poems. Certain portentous darknesses, reinforcing the solemnity of
crises of battle, or impending doom,[43] are much too vaguely defined to
be treated as indexes to natural phenomena of any kind. Nevertheless,
Professor Stockwell finds that, by a curious coincidence, Ajax’s Prayer
to Father Zeus for death—if death was decreed—in the light, might very
well have been uttered during a total eclipse of the sun, the lunar
shadow having passed centrally over the Hellespont at 2h. 21 min. P.M.
on August 28, 1184 B.C.[44] Comets, however, have left not even the
suspicion of a trace in these early songs; nor do they embody any
tradition of a star shower, or of a display of Northern Lights. The rain
of blood, by which Zeus presaged and celebrated the death of
Sarpedon,[45] might, it is true, be thought to embody a reminiscence of
a crimson aurora, frequently, in early times, chronicled under that
form; but the portent indicated is more probably an actual shower of
rain tinged red by a microscopic alga. An unmistakable meteor, however,
furnishes one of the glowing similes of the Iliad. By its help the
irresistible swiftness and unexpectedness of Athene’s descent from
Olympus to the Scamandrian plain are illustrated.
Footnote 43:
_Iliad_, xv. 668; xvii. 366; _Odyssey_, xx. 356.
Footnote 44:
_Astronomical Journal_, Nos. 220, 221.
Footnote 45:
_Iliad_, xvi. 459; also xi. 53.
Even as the son of Kronos the crooked counsellor sendeth a star,
a portent for mariners or a wide host of men, bright shining,
and therefrom are scattered sparks in multitude; even in such
guise sped Pallas Athene to earth, and leapt into their
midst.[46]
Footnote 46:
_Iliad_, iv. 75-79.
In the Homeric verses the Milky Way—the ‘path of souls’ of
prairie-roving Indians, the mediæval ‘way of pilgrimage’[47]—finds no
place. Yet its conspicuousness, as seen across our misty air, gives an
imperfect idea of the lustre with which it spans the translucent vault
which drew the wondering gaze of the Achæan bard.
Footnote 47:
Public-domain text, read in full here on John Shaqi.
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