Familiar Studies in HomerClerke, Agnes M. (Agnes Mary)
History
Familiar Studies in Homer
Clerke, Agnes M. (Agnes Mary)
Epic poetry, Greek -- History and criticism; Homer -- Criticism and interpretation
In the cottage of Eumæus the swineherd, Odysseus, disguised as a beggar,
weary with long wanderings, a stranger in peril of his life in his own
islet-kingdom, finds his first hospitable refuge. Here again we are met
by graphic and frequent sketches of canine manners and character. In the
office of guarding and governing the 960 porkers composing his herd,
Eumæus had the aid of four dogs reared by himself. They were large and
fierce, ‘like wild beasts’;[75] but the savage instincts even of these
half-reclaimed creatures are discovered to be directed towards duty, to
be subdued by affection, nay, to be elevated by a touch of supersensual
awe. If they erred, it was by excess of zeal in the cause of law and
order. For when Odysseus (it must be remembered, in extremely
disreputable guise) approached the thorn-hedged enclosure, they set upon
him together, barking furiously, and threatening to tear him to pieces
on the spot. He had not, however, edged his way between Scylla and
Charybdis to perish thus ingloriously. With unfailing presence of mind
he instantly took up an attitude of non-resistance, stood still and laid
aside his staff. This passivity doubtless produced some hesitation on
the part of his assailants, for when the swineherd hurried out to the
rescue, he was still unhurt. No small amount of compulsion, both moral
and physical—exerted by means of objurgatory remonstrance, coupled with
plentiful stone-pelting—was, however, required to calm the ardour of
such impetuous allies.
Footnote 75:
_Odyssey_, xiv. 21.
Nevertheless, their ferocity is represented as far from
undiscriminating. It is, in fact, strictly limited by their official
responsibilities. They know how to suit their address to their company,
from an Olympian denizen to a homeless tramp, and get unexpected
opportunities of displaying these social accomplishments. For the rustic
dwelling of Eumæus becomes a rendezvous for the principal personages of
the story, and the demeanour of the four dogs is a leading incident,
carefully recorded, connected with the arrival of each. We have just
seen what an obstreperous reception they gave to the disguised king of
Ithaca. Telemachus, on the other hand, they rushed to welcome, fawning
and wagging their tails _without barking_,[76] as that quick-witted
vagrant, whose arrival had preceded his, was the first to observe. But
when Athene visited the farm for the purpose of bringing about the
recognition of the father by the son, which was the first step towards
retribution upon their common enemies, while Telemachus remained
unconscious of her presence—’for not to all do the gods manifest
themselves openly’—it is said, with a very remarkable coupling of man
and beast, that ‘Odysseus and the dogs saw her’;[77] and the mysterious
sense of the supernatural attributed in much folk-lore to the canine
species found vent in whimperings of fear and panic-stricken withdrawal.
Footnote 76:
_Odyssey_, xvi. 4-10.
Footnote 77:
Public-domain text, read in full here on John Shaqi.
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