Famous American Belles of the Nineteenth CenturyPeacock, Virginia Tatnall
History
Famous American Belles of the Nineteenth Century
Peacock, Virginia Tatnall
Women -- United States -- Biography
"Let my father see my son sometimes. Do not be unkind towards him
whom I have loved so much, I beseech you. Burn all my papers except
my father's letters, which I beg you to return to him. Adieu, my
sweet boy. Love your father, be grateful and affectionate to him
while he lives, be the pride of his meridian, the support of his
departing days. Be all that he wishes, for he made your mother happy."
After expressing a wish that she may not be stripped and washed
according to the usual custom, being pure enough to return to dust, she
concludes: "If it does not appear contradictory or silly, I beg to be
kept as long as possible before I am consigned to the earth."
Alston, who survived her but four years, wrote heart-brokenly to her
father: "My boy, my wife, gone both! This, then, is the end of all the
hopes we had formed. You may well observe that you feel severed from
the human race. She was the last tie that bound us to the species. What
have we left? Yet, after all, he is a poor actor who cannot sustain his
hour upon the stage, be his part what it may. But the man who has been
deemed worthy of the heart of Theodosia Burr, and who has felt what
it was to be blessed with such a woman's love, will never forget his
elevation."
ELIZABETH PATTERSON
(MADAME JEROME BONAPARTE)
The city into which Baltimore Town was legislated on the last day
of the year 1796 already fostered within its limits the germ of the
dual life, social and commercial, to which it has owed its subsequent
eminence. Not infrequently, in the days of its inception, the same roof
sheltered drawing-room and warehouse, the earlier merchants deeming
it necessary to keep their growing interests constantly beneath their
personal vigilance. Later, the commercial life crowded out the domestic
life, and merchants built their dwellings--stately bricks or frames,
painted blue, yellow, or white, facing on avenues of locust-trees--in
another part of the town, all bearing quaint evidence of the far-away
ports with which their vessels traded, while the whole town was
permeated with the odor peculiar to shipping districts.
The first theatre troupe that took the town by storm played in one
of the old warehouses, whose walls re-echoed the approbation of the
pleasure-hungry audience, among whom were no fastidious critics to pick
flaws in "King Richard III.," and still less in "A Miss in her Teens,"
which followed.
Baltimore never had the qualms of conscience which afflicted some
of her puritanical sister towns concerning the pleasures in which
she might rightly indulge. She looked out upon life, rather, with a
liberality of mental vision which partook of the breadth of the seas
her merchantmen traversed.
The brick theatre built in 1781 became one of the most revered spots in
the town, and when the actors came her way, Baltimore turned out _en
masse_ to give them royal welcome.
Public-domain text, read in full here on John Shaqi.
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