Both here and in England the book fairly leaped to success; both here and in England it was praised almost unqualifiedly. An American critic, writing of it, said: "Mr. Allen stands to-day in the front rank of American novelists. 'The Choir Invisible' will solidify a reputation already established and bring into clear light his rare gifts as an artist. For this latest story is as genuine a work of art as has come from an American hand." An English critic noted that it was "highly praised, and with reason." "It is written," he said, "with singular delicacy, and has an old-world fragrance which seems to come from the classics we keep in lavender." The book succeeded so immensely that an attempt was made to dramatize it, but the attempt failed. The atmosphere of the book proved to be too ethereal, too spiritual, for dramatization. That "The Choir Invisible" solidified Mr. Allen's reputation was demonstrated by the eagerness of the demand for "The Reign of Law." In some respects this is Mr. Allen's greatest work: it reveals even a deeper knowledge of nature than he ever revealed before, and it deals more intimately with things which have revolved around his own career. Fame has little to do with the sale of books. If "The Kentucky Cardinal," "The Choir Invisible," and "The Reign of Law" had not been sold by the thousands, Mr. Allen's fame would still be of more than transient quality. There is nothing ephemeral about these stories: they are, strictly speaking, a part of our classical literature. The vividness of the pictures will always be fresh and interesting. Taking too literally Mr. Allen's remark in "The Reign of Law" that Kentucky University is a ruin and will always remain a ruin, the reading public has generally decided, we have found, that the university, the author's alma mater, does not exist. It does exist, but, apparently, not in the condition in which the author would have it. Before "The Reign of Law" had been long on the market, he and the president of Kentucky University fell into a controversy which makes an interesting chapter in the academic side of the history of the Blue Grass State. Mr. Allen works slowly and carefully, as may be inferred from the number and the character of his books. And he lives quietly, modestly. He is not in the least given to the exploitation of his habits and his manners, even so far as they may be connected with his literary work. Little has ever been heard of him by the thousands who hurry to read his books, and who read them only to praise him. Some time ago his publishers issued a brochure dealing with his career, and the vital facts contained in it, if put together, would not cover more than twenty or thirty ordinary lines.