On his return to Paris, after a certain time passed in Italy, he sought
to have his old operas revived, but he, who had dubbed as barbarous all
the music which had taken root at the _Opèra_ in his absence, encountered
only animosity, and was unable to carry out his plans. On the other hand,
his "Vestale" had achieved great success in Denmark; some fragments of it
were sung and much applauded at Cologne in 1847; and Spontini, ennobled
by the king of Denmark, made Conte de San Andrea by the Pope, was
gloriously received by the king of Prussia when he returned as a visitor
to the capital. Such were the last gratifications of self-love which this
great composer experienced; and although France had not much more to
offer him, he always returned to that country, and chose Paris above all
other places for his home.
At last, when his memory and hearing began to fail, he felt that the
beautiful climate of his native country might restore his health, and he
left Paris in 1850 to return to the Roman States. He was received at Jesi
with honors which are by custom reserved for sovereigns. Then he wished
to visit once more his native town, Majolati. He had been there several
months, when one day, while suffering from a very bad cold, he insisted
on going to mass, in spite of the earnest remonstrances of his wife.
There he took more cold, fever set in, and the illustrious composer died
on the 24th of January, 1851, at the age of seventy-seven.
[Illustration: Fac-simile autograph letter and musical manuscript written
by Spontini.]
Spontini's operas no longer hold an important rank, and yet his name
always commands respect, thanks to the beautiful bits which are
still admired in "Ferdinand Cortez" and in "La Vestale." Assuredly,
Spontini was no innovator such as was Gluck. He was content, without
revolutionizing lyric tragedy, to give it more dramatic animation and
masters as bold and as little mindful of conventionalities as were
Berlioz and Wagner have professed a real admiration for Spontini.
[Illustration: BUST OF SPONTINI BY DANTAN.
From the Carnavalet Museum, Paris.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account