Andrea Gabrieli was born in 1510, at Venice. He was appointed organist of the second organ at St. Mark's and held this position till his death (1586). He was a productive composer, and enriched church music by the accompaniments of various instruments. He was a remarkable organist, and was the teacher of Merulo, who was very famous as a composer and player on the organ. Giovanni Gabrieli was born in 1540 and was appointed, in 1584, first organist at St. Mark's in place of Merulo. His genius was manifested in all branches of musical composition. His church music is as solemn and as elevated as that of Palestrina. Although he employed the church modes, he seemed to mould their rigid forms into a more modern expression than had hitherto been imparted to them. Ambros, another great musical historian says: "He prays and we pray with him." If we compare the same text with Palestrina, whose style is not less glorious, nor less elevating to the soul, we feel an immense difference; for Palestrina is the last purest sound of the older direction in music, while Gabrieli announces, in a wonderful manner, the coming musical emancipation of the individual. In unaccompanied vocal music he has never been equalled in the production of rich effects of musical coloring; in separating and massing together "choral harmonies." His compositions for two, three and four choruses are wonderful exhibitions of skill and judgment. Giovanni della Croce was the last representative of the Venetian school, which died with him in 1609. Florence, Naples, Bologna and Milan had also distinct polyphonic schools, all of which exercised a decided influence upon foreign schools, not only in their beginning but in their later development. Thus, the Venetian school had a great influence upon the schools of Nuremberg and Munich, the former founded by Hans Leo Hassler, a German, and the latter by the famous Netherlander, Orlando di Lasso (Roland de Lattre.) The influence extended even to Spain. But these great workers were not destined long to enjoy that public favor which they so richly merited. New forms of composition and new means of expression were being carefully considered.