It would be gratifying to be able to picture this great master approaching his end along the green pathway of a serene old age. Unfortunately this cannot be done. His declining years were marked by gloom and morbidity. He talked constantly of death, and became so peevish as to write to Duke William complaining that he had not done all for the composer that Duke Albert had promised. The devoted wife, Regina, united her efforts with those of Princess Maximiliana to remove the evil effects of this letter. The composer sank gradually and died at Munich on June 14, 1594. He was buried in the cemetery of the Franciscans, and his widow erected a fine monument to his memory in their church. According to Fétis this stone was two feet four inches high and four feet eight inches long. It had ornamental bas-reliefs representing the holy sepulchre, Lassus and his family at prayer, and the coat-of-arms conferred upon them by the Emperor Maximilian. The inscription on the base was as follows: "Hic ille est Lassus, lassum qui recreat orbem, Discordemque sua copulat harmonia." Here lies he weary who a weary world refreshed, And discord with his harmony enmeshed. The reader will note the play on the word _lassus_, weary. The monument was removed when the Franciscan churchyard was dismantled in 1800, and in 1830 the stone disappeared from view. The world of art has to thank the "mad king" Ludwig, of Bavaria (to whom it owes debts of gratitude in connection with Wagner's career), for the erection of a life-size statue in bronze of Orlando Lasso. It stood originally next to the statue of Gluck near the Theatiner Church, but was afterward removed to the public promenade. There is another statue of Lasso at Mons, where he was born. [Illustration: From portrait in the "Penitential Psalms," set by Lasso, in the Royal State Library at Munich.]