In May, 1734, Pergolese was called to Rome to become the chapel-master
of the church of Santa Maria di Loreto. Regarding this nomination as a
promotion in his art as well as a recognition of his ability, he set
himself seriously to work upon something which should at once confirm any
good opinion of his powers and demonstrate his gratitude. Putting aside
the trivial Neapolitan _libretti_, he turned to Metastasio and drew from
his poetry the text for his "Olimpiade," a grand opera which was brought
out in 1735 at the Tordinona. At this time the composer Duni--of whom
little more than the name now remains--was a composer much in favor,
and was about to bring out a new work of his own, "Nero." He had no
small fear of what Pergolese might do and withheld his score until he
could make acquaintance with that of the new comer. His opinion, written
directly to Pergolese, with many expressions of admiration, included
these words: "There are here too many details beyond the reach of the
average public; they will pass unperceived, and you will not succeed.
My opera will not have the value of yours; but, being more simple, it
will be more fortunate." Duni was right; the "Olimpiade" was a failure;
some parts of it were hissed,--although it was admitted that two airs
and one duet were "deeply expressive,"--and one chronicler records that
some irate auditor went so far as to throw an orange at the head of the
composer as he sat at the harpsichord in the orchestra. The generous
spirited Duni afterwards said that he was "in a fury" against the Roman
public for its behavior toward his contemporary.
This defeat was a decisive one, and Pergolese turned back to his duties
as a composer and director of religious music. The ensuing period was
signalized by his writing, among other things, of a mass, a _Dixit_ and a
_Laudate_, all upon a commission from the Duke of Maddaloni, who desired
them for the annual festival at the church of San Lorenzo in Lucina, at
Rome, where they were sung with great éclat.
[Illustration: Reproduction of a fine medal by T. Mercandetti, struck
in 1806 (after the death of Pergolese), in commemoration of his "Stabat
Mater."]
Public-domain text, read in full here on John Shaqi.
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