A son was born in 1783, who died in the same year, and in the summer a
visit was paid to Salzburg. A mass, which Mozart had vowed in his heart
before his marriage if he succeeded in taking Constanze there as his wife,
was performed; he wrote duets for violin and viola to help Michael Haydn,
who was prevented by sickness from satisfying the Archbishop's command;
he sketched a part of an opera, "L'Oca del Cairo." In one way the visit
was a disappointment. Neither Leopold nor Marianna was really fond of
Constanze, and Mozart was displeased because none of the trinkets that
had been given him in his youth were offered to his wife. He returned to
Vienna in October. In 1785 the father returned the visit. He wept for
joy at hearing Wolfgang play the pianoforte concerto composed for the
blind pianist, Marie Paradies; he heard string quartets of his son played
by Haydn, Dittersdorf, Wolfgang and Vanhall; and Haydn said to him, "I
assure you solemnly and as an honest man, that I consider your son to be
the greatest composer of whom I have ever heard." Influenced by his son
he became a Freemason. There were secret associations, brotherhoods of
all descriptions, more or less closely allied to Freemasonry, throughout
Germany during the latter half of the eighteenth century. Many wished
to join together in fighting for liberty of conscience and independence
of thought; and, as Herder, Wieland, Goethe, they saw in Freemasonry "a
means of attaining their highest endeavors after universal good." In
Vienna nearly all the distinguished leaders of thought were Freemasons;
the lodges were fashionable, and in 1785 the Emperor Joseph placed them
under the protection of the state, although he first reduced the number.
It is not surprising that Mozart, with his love for humanity, his warm
sympathies for all that is good and noble, should enter eagerly into
masonic ties and duties. He contemplated the founding of a secret society
of his own. His lodge was the oldest in Vienna, "Zur gekrönten Hoffnung,"
and for this lodge he wrote vocal and instrumental works, one of which,
the "Trauermusik" is of great beauty and originality.
Public-domain text, read in full here on John Shaqi.
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