artistic character than the fact that, in spite of Schumann’s prophecy and many early instrumental masterpieces, he waited with his first symphony until he was a man of over forty years. Four great symphonies have appeared between 1876 and 1885, preceded by orchestral variations on a theme of Haydn; also, during the same time, two overtures, a second pianoforte concerto, one for violin, two smaller choruses with orchestra, chamber works, piano pieces and songs. Another great choral composition, “Deutsche Fest-und Gedenksprüche,” a double concerto for violin and violoncello, Gipsy songs and many other vocal and chamber works complete the list of his more recent compositions. And more great things may be expected from him. If there is anything inspiring in the present aspect of musical art, it is the fact that Johannes Brahms is still among us, physically and mentally as strong as if perpetual youth were granted to him. Indeed, the graces and heroes have not only kept watch at his cradle, but guided him throughout his long career. [Illustration: JOHANNES BRAHMS. In early youth. ] Those who have met him will never forget the impression of his strong personality. Nor will those who saw him conduct or heard him play ever enter into the superfluous discussion whether he was a great leader of orchestra and chorus or a master of his instrument. For in both directions he was not only equal to the most exacting demands, but always appeared as if inspired, and inspiring everybody who sang or played under him or listened to the genius of his music. At the pianoforte and the conductor’s desk he is a king, but socially he appears unaffected and easy, neither reticent nor predominating in conversation, jolly and kind among friends and children. He has never married. Many honors have been conferred upon him: the degrees of Doctor of Music by the University of Cambridge, England, in 1877, and of Doctor of Philosophy by the Breslau University in 1879; also several orders and the membership of many societies and institutes. Throughout the musical world his music, especially his instrumental works, is now received with enthusiasm, although still finding a strong opposition on the part of many critics of either too conservative or too progressive tendencies. Yet the time is not far distant when it will be generally granted a high position in the history of our art. [Illustration: Fac-simile autograph manuscript of Canon by Brahms. “An Album Leaf.” ] [Illustration: Fac-simile autograph letter from Johannes Brahms to Karl Klauser. ]