possible phases and moods, often wonderfully reflected in scenes of
nature. There is perhaps more of twilight and autumn than of sunshine
and spring, but exultant and happy moods are well represented,—also
flowers, birds, woods, oceans and storms and the stillness of the
fields,—but all these more in a symbolic than realistic conception and
with a wonderful coloring of the prevailing mood. The sweet little
“Cradle song,” “Erinnerung,” “Minnelied,” “Wie bist du, meine Königin?”
“Meine Liebe ist grün,” “Von ewiger Liebe,” “Ruhe, Süssliebchen,”
“Mainacht,” “Vergebliches Ständchen” are only a few familiar jewels
among the rich collection; how many more deserve the same sympathy and
study from singers with noble artistic ambitions! Special mention is due
to the two fine songs for alto with viola obligato Op. 91 and to the
fifteen romances from Tieck’s half-forgotten fairy tale “Die schöne
Magelone,” which have a most elaborate form and an intensely emotional
character. Nowhere indeed can one get a better estimate of Brahms’ high
significance as a song writer than here, where the poet appears like a
dwarf in the light of the composer’s higher genius.
Greatness indeed remains Brahms’ characteristic feature, wherever we
look at him or at his works; greatness in ideas, purposes and powers;
greatness in self-criticism and faithfulness to the dignity of his art;
greatness in the devotion to past masters and independence of
contemporary influences; greatness in the sincerity and simplicity of
his manners and relation to the outer world. Never appearing as a
revolutionary spirit, yet he has himself introduced many strong
innovations in various fields, and for a long time his works will not
only afford profound enjoyment to earnest lovers of our art, but be a
source of the most valuable studies for those to whom its further
development will be entrusted. Long has he been ignored, patiently has
he waited, till the world has come to him to respect in him the noblest
musical genius of our time.
[Illustration:
Louis Keeserborn
]
[Illustration:
CARL GOLDMARK
_Reproduction of a photograph from life, made by J. Löwy in Vienna._
]
[Illustration: [Fleuron]]
CARL GOLDMARK
Public-domain text, read in full here on John Shaqi.
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