Op. 25. “Salamis.” Words by Lingg. Male Chorus and Orchestra. One of the large choral works; a grand historical tone-poem. Op. 26. Violin Concerto. No. 1. G minor. (See above.) Op. 27. “Frithjof at his Father’s Grave.” Baritone. Female Chorus and Orchestra. Op. 28. Symphony in E flat. Op. 29. “Rorate Coeli.” Chorus, Orchestra, and Organ. Probably this is the loftiest of Bruch’s sacred works. Op. 31. “The Flight into Egypt,” and “Morning Hours.” (By Lingg.) Soprano, Female Chorus and Orchestra. Op. 32. “Normannen-zug.” Baritone, Chorus in unison and Orchestra. Op. 34. “Römische Leichenfeier”: “Roman Funeral Sacrifice.” Mixed Chorus and Orchestra. (Has been erroneously classified as a male chorus.) Op. 35. “Kyrie, Sanctus and Agnus Dei.” Choral work. Op. 36. Symphony in F minor. Op. 37. “Song of the German Emperor.” Chorus and Orchestra. Op. 39. “Dithyrambe.” (Schiller.) Tenor voice, Chorus and Orchestra. Op. 40. “Hermione.” (“Winter’s Tale.”) Grand Opera. Op. 41. “Odysseus.” (See above.) Op. 43. “Arminius.” A large work for Chorus and Orchestra. Sometimes classified as an oratorio. Op. 44. Violin Concerto. No. 2. D minor. Op. 45. “The Song of the Bell.” (Schiller.) Chorus, four solo voices, Orchestra and Organ. This is the most ambitious work of the composer; by some it is accounted his greatest, but whoever undertakes the setting of this masterpiece of a great poet, will find his music overshadowed by the grandeur of the poetry. Op. 46. Scotch Fantasie. Violin and Orchestra. Op. 47. “Kol Nidrei.” A wonderfully effective setting of the ancient Hebrew hymn (many believe this to be the oldest piece of Hebrew music in existence) for Violoncello and Orchestra. Op. 50. “Achilleus.” Solo voice, Chorus and Orchestra. Op. 51. Third Symphony. E major. The most free in form, and the brightest in character, of all of Bruch’s symphonies. Op. 52. “The Fiery Cross.” Dramatic Cantata upon portions of Scott’s “Lady of the Lake” (arranged by H. Bulthaupt). Solo, Chorus and Orchestra. Op. 53. “Thermopylae”; “War Song of Tyrtaeus.” Two Male Choruses, with Orchestra. Op. 54. Songs. (Text by Heyse.) Piano and Violin accompaniment. Op. 55. Canzone. ’Cello and Orchestra. Op. 56. Adagio on Celtic Melodies. ’Cello and Orchestra. Op. 57. Adagio Appassionato. Violin and Orchestra. Op. 58. Third Violin Concerto. (D minor.) Dedicated to Joachim. Without Opus number. One Male Chorus, and a set of Hebrew Melodies for Chorus, Orchestra and Organ. [Illustration: Louis C. Elson] [Illustration: JOSEPH RHEINBERGER _Reproduction of a photograph from life, made by Fr. Muller, in Munich._ ] [Illustration: [Fleuron]] JOSEPH GABRIEL RHEINBERGER