About this time a lion in the Exeter Change Menagerie died, and the
young artist succeeded in getting the body and dissecting it, acting
upon Haydon's advice, of years before, to "dissect animals, the only
mode of acquiring a knowledge of their construction."
The result was the painting of two large pictures, six feet by eight,
and six feet by seven feet six inches respectively: "A Lion Disturbed at
his Repast," and "A Lion Enjoying his Repast," followed by a third, "A
Prowling Lion."
In 1821, the chief pictures exhibited were "The Rat-Catchers," where
four dogs are catching rats in an old barn; and "Pointers, To-ho," a
hunting-scene, which sold in 1872 for over ten thousand dollars. The
following year, Landseer received from the directors of the British
Institution seven hundred and fifty dollars as a prize for "The Larder
Invaded." Eighteen other pictures came from Landseer's studio this year.
The most famous of Sir Edwin's early works was "The Cat's-Paw," sold for
five hundred dollars, and now owned by the Earl of Essex. Its present
value is over fifteen thousand dollars.
"The scene," says Stephens, "is a laundry or ironing-room, probably in
some great house, to which a monkey of most crafty and resolute
disposition has access. The place is too neat and well maintained to be
part of a poor man's house. The ironing-woman has left her work, the
stove is in full combustion, and the hand of some one who appreciated
the good things of life has deposited on its level top, together with a
flatiron, half a dozen ripe, sound chestnuts. To the aromatic,
appetizing odor of the fruit was probably due the entrance of the
monkey, a muscular, healthy beast, who came dragging his chain and
making his bell rattle. He smelt the fruit and coveted them; tried to
steal them off the cooking-place with his own long, lean digits, and
burnt his fingers.
"He looked about for a more effective means, and, heedless of the
motherhood of a fine cat, who with her kittens was ensconced in a
clothes-basket, where she blandly enjoyed the coverings and the heat,
pounced upon puss, entangled as she was in the wrappings of her ease.
Puss resisted at first with offended dignity and wrath at being thus
treated before the faces of her offspring. She resisted as a cat only
can, with lithe and strenuous limbs; the muscular, light, and vigorous
frame of the creature quivered with the stress of her energy; she
twisted, doubled her body, buckled herself, so to say, in convulsions of
passion and fear, but still, surely, without a notion of the object of
her captor.
Public-domain text, read in full here on John Shaqi.
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