"Yet he had by far the best of the struggle, for her tiger-like claws
were enveloped in the covering which erst served her so comfortably;
and, kicking, struggling, squalling, and squealing as strength departed
from her, she flounced about the room, upset the coal-scuttle on the
floor, and hurled her mistress's favorite flower-pot in hideous
confusion on the 'ironing-blanket.' It was to no purpose, for the
quadruped, with muffled claws, was no match for her four-handed foe. He
dragged her towards the stove, and dreadful notions of a fate in its
fiery bowels must have arisen in her heart as nearer and still more near
the master of the situation brought his victim.
"Stern, resolute, with no more mercy than the cat had when some unhappy
mouse felt her claws--claws now to be deftly yet painfully employed, Pug
grasped her in three of his powerful hands, and, as reckless of
struggles as of yells, squeals, and squalls, with the fourth stretched
out her soft, sensitive, velvety forepaw--the very mouse-slayer
itself--to the burning stove and its spoils. What cared he for the bared
backs or the spiteful mewlings of her miserable offspring, little cats
as they were? He made their mother a true 'cat's-paw.'"
Soon after the exhibition of this picture, Sir Walter Scott came to
London and took the young painter to Abbotsford. The novelist greatly
admired Landseer's work, saying, "His dogs are the most magnificent
things I ever saw, leaping and bounding and grinning all over the
canvas." After this, Landseer visited Scotland nearly every year,
charmed by its scenery and enjoying the hospitality of the nobles.
In his thirty-second year, it seemed necessary that the painter should
have a home removed from the soot and noisy traffic of London. A small
house and garden, with a barn suitable for a studio, were purchased at
No. 1 St. John's Wood, a suburban region, which derives its name from
having been owned by the priors of the Hospital of the Knights of St.
John of Jerusalem. A premium of a hundred pounds being demanded for the
house, Landseer was about to break off negotiations, when a friend said:
"If that is the only obstacle, I will remove it. Go to the lawyers, and
tell them to make out the lease, and that as soon as it is ready for
signatures, you will pay the sum required; and I will lend you the
money, which you can repay when it suits you, without interest."
The painter returned the money loaned, in instalments of twenty pounds
each. Here he lived for nearly fifty years, his sister, Mrs. Mackenzie,
being his housekeeper. Here he received more famous people than any
other English painter save Joshua Reynolds. Here, as he grew wealthy, he
brought his dogs and other pets; here the father, John Landseer, to whom
the son was ever devotedly attached, died.
Public-domain text, read in full here on John Shaqi.
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