Full ninety times the sun had bathed his face
In the wet ocean, ending his annual round
Ere thou attainedst to the Peace Divine.
* * * * *
There, where (to Him be thanks!) I think thee now,
And hope to see again if my cold heart
Be raised from earthly mire to where thou art.
* * * * *
And if 'twixt sire and son the noblest love
Still grows in Heaven, where every virtue grows,
While giving glory to my heavenly Lord,
I shall rejoice with thee in Heaven's bliss."
Clement was now dead, and Paul III. was in the papal chair. He, like the
others, desired that Michael Angelo should do some great work to
immortalize his reign. Clement had wished the artist to paint the "Last
Judgment" in the Sistine Chapel, and when Paul urged the carrying-out of
this plan, Michael Angelo excused himself on account of the contract
with the heirs of Julius II.
"It is now thirty years," cried Paul III., "that I have had this desire;
and, now that I am pope, shall I not be able to effect it? Where is the
contract, that I may tear it?"
One day he appeared in the studio of the painter, bringing with him
eight cardinals, all of whom wished to see the designs for the "Last
Judgment."
The artist was still at work on Moses. "This one statue is sufficient to
be a worthy monument to Pope Julius," said the cardinal of Mantua. Paul
III. refused to release Michael Angelo, and he began work on the Sistine
Chapel.
The painting was not completed until nearly eight years had passed.
There are three hundred figures and heads in this vast fresco. Says M.
F. Sweetser, in his concise and excellent life of Michael Angelo, "About
Christ are many renowned saints,--the Madonna, gazing mildly at the
blessed and redeemed souls; Adam and Eve, curiously regarding the
Judge; and a group of pleading apostles, bearing their emblems. These
are surrounded by a vast throng of saints and martyrs, safe in Heaven,
all of whom exemplify the saying that 'Michael Angelo nowhere admits,
either into heaven or hell, any but the physically powerful.' Below the
Judge are four angels blowing trumpets towards the four quarters of the
universe, and four others holding the books by which the dead are to be
judged. Under these the land and sea are giving up their dead.... As a
work of art, the Last Judgment was one of the grandest productions of
the famous art-century."
Public-domain text, read in full here on John Shaqi.
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