Lorenzo made himself the idol of the people by his generosity, consideration, and unquestioned ability to lead. He arranged public festivities, and wrote verses to be sung by girls as they danced in the public square, in the month of May. All the young people knew and loved him. On one of these festive occasions, when the triumphal procession of Paulus Æmilius was being represented, Granacci found an opportunity of winning Lorenzo's favor, and thereby gained access to the art treasures. At once he thought of his friend, and Michael Angelo was soon studying the marbles and pictures of the great Medici. The boy of fifteen quickly made friends with the stone-masons, and, getting from them a piece of marble, began to copy the antique masque of a faun. However, his work was not like the original, but the mouth was open so that the teeth were visible. When Lorenzo came among the pupils he observed the masque and praised it, but said to the boy, "You have made your faun so old, and yet you have left him all his teeth; you should have known that at such an advanced age there are generally some wanting." At once Michael Angelo broke out a tooth, filling the gum as though it had dropped out. When Lorenzo came again he was delighted, and told the boy to send for his father. Lodovico came reluctantly, for he was not yet reconciled to the choice of "art and poverty" which his son had made. Lorenzo received him cordially and asked his occupation. "I have never followed any business," was the reply; "but I live upon the small income of the possessions left me by my ancestors. These I endeavor to keep in order, and, so far as I can, to improve them." "Well," said Lorenzo, "look around you; and, if I can do anything for you, only apply to me. Whatever is in my power shall be done." Lodovico received a vacant post in the customhouse, and Michael Angelo was taken into the Medici palace and treated as a son. For three years he lived in this regal home, meeting all the great and learned men of Italy: Politian, the poet and philosopher; Ficino, the head of the Platonic Academy; Pico della Mirandola, the prince and scholar, and many others. Who can estimate such influence over a youth? Who can measure the good that Lorenzo de' Medici was doing for the world unwittingly? To develop a grand man from a boy, is more than to carve a statue from the marble. Michael Angelo was now of middle height, with dark hair, small gray eyes, and of delicate appearance, but he became robust as he grew older. Politian was the tutor of the two Medici youths, Giovanni and Giulio, who afterwards became Leo X. and Clement VII. He encouraged Michael Angelo, when eighteen, to make a marble bas-relief of the battle of Hercules with the Centaurs. This is still preserved in the Buonarotti family, as the sculptor would never part with it. The head of the faun is in the Uffizi gallery.