"On Innocents' Day, the 28th December, 1737, I went to St. James' Palace to present this petition, having been advised first to address the lady of the bedchamber in waiting to introduce it. But the Lady Isabella Finch, who was the lady in waiting, gave me rough words, and bid me gone with my petition, which I did, without opportunity of presenting it." Finally Captain Coram's incessant labors bore fruit. On Tuesday, Nov. 20, 1739, at Somerset House, London, a meeting of the nobility and gentry was held, appointed by his Majesty's royal charter to be governors and guardians of the hospital. Captain Coram, now seventy-one years of age, addressed the president, the Duke of Bedford, with great feeling. "My Lord," he said, "although my declining years will not permit me to hope seeing the full accomplishment of my wishes, yet I can now rest satisfied; and it is what I esteem an ample reward of more than seventeen years' expensive labor and steady application, that I see your Grace at the head of this charitable trust, assisted by so many noble and honorable governors." The house for the foundlings was opened in Hatton Garden in 1741, no child being received over two months old. No questions as to parentage were to be asked; and when no more infants could be taken in, the sign, "The house is full," was hung over the door. Sometimes one hundred women would be at the door with babies in their arms; and when only twenty could be received, the poor creatures would fight to be first at the door, that their child might find a home. Finally the infants were admitted by ballot, by means of balls drawn by the mothers out of a bag. If they drew a white ball, the child was received; if a black ball, it was turned away. The present Foundling Hospital was begun in 1740, and the western wing finished and occupied in 1745, on the north side of Guilford Street, London, the governors having bought the land, fifty-five acres, from the Earl of Salisbury. Hogarth, the painter, was deeply interested in Captain Coram's benevolent object. He painted for the hospital some of his finest pictures, and influenced his brother artists to do the same. Hogarth's "March to Finchley" was intended to be dedicated to George II. A proof print was accordingly presented to the king for his approval. The picture gives "a view of a military march, and the humors and disorders consequent thereon." The king was indignant, and exclaimed, "Does the fellow mean to laugh at my guards?" "The picture, please your Majesty," said one of the bystanders, "must be considered as a burlesque." "What! a painter burlesque a soldier? He deserves to be picketed for his insolence," replied the king. The picture was returned to the mortified artist, who dedicated it to "the king of Prussia, an encourager of the arts."