The Emperor had written in his will, "It is my wish that my ashes may
repose on the banks of the Seine, in the midst of the French people,
whom I have loved so well."
On May 5, 1840, nineteen years after Napoleon's death, the French, now
that Louis Philippe had become king, asked England that his body might
be removed to France. Consent being given, Prince de Joinville, the son
of the king, with Gourgaud, Bertrand, and the son of Las Cases, with two
armed ships, proceeded on their sad errand, bearing an ebony coffin,
with the one word, "Napoleon," on it in gold letters. Within was a
coffin of lead. The funeral pall was of purple velvet, embroidered with
bees, and bordered with ermine.
At midnight, Oct. 5, 1840, the work of exhuming the body of the Emperor
was begun. At ten o'clock in the forenoon the coffin was reached, so
difficult had it been to remove the heavy stones and cement which
covered the vault. The first coffin of mahogany was opened, then the
leaden one, then one of mahogany, then one of tin. The body was found
wonderfully preserved, and seemed as though recently interred. The hands
were perfect, with the smooth skin as if in life. The clothes retained
their color,--the dark green coat faced with red, the white pantaloons,
and the hat, resting on the thigh. The body was exposed to the air only
two minutes; the coffins were re-sealed and placed in those brought from
France.
The ships reached France early in December. Never was there such a
funeral in Paris. One hundred and fifty thousand soldiers and more than
a million citizens assisted at the magnificent obsequies. The funeral
car, its cenotaph rising fifty feet from the ground, was drawn by
sixteen black horses, four abreast, covered with cloth of gold. The
Emperor's war-horse was draped with a veil of purple crape, embroidered
with bees. The remnants of the Old Guard were there--the hosts who
idolized Napoleon and would have died for him; but the son, the King of
Rome, was sleeping in a coffin in Austria, and Josephine was resting in
the church at Rueil, two miles from Malmaison.
At the funeral service three hundred musicians played Mozart's Requiem
in the Church of the Invalides, where now the great hero rests. The
seemingly countless throng of people were moved to tears. Could he who
was its object have looked forward to all this love and homage, when he
lay dying among the rocks of St. Helena, the agony might have been
lessened. Could he have foreseen how tens of thousands, every year, from
all the world, would stand by that tomb, under the dome of the
Invalides, and do honor to the wonderful soldier and statesman, that
bitter exile and death might not have been quite so desolate and
pathetic.
"Posterity," as he said, "will do him justice." Already the harshness
of his critics is giving place to a correct estimate of his
extraordinary genius.
Public-domain text, read in full here on John Shaqi.
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