“Wundern kannes mich nicht dass
Menschen die Hunde so lieben;
Denn ein erbärmlicher Schuffist, wie
Der Mensch, so der Hund,”
which has been rendered:
“It cannot surprise me that men love dogs so much,
For dog, like man, is a pitiful, sneaking rogue.”
Such a disagreeable sentiment as this--one so unworthy both of man and
author--requires an antidote. We find one in these lines of Herrick to
his spaniel Tracy:
“Now thou art dead, no eye shall ever see
For shape and service spaniel like to thee.
This shall my love doe, give thy sad fate one
Teare, that deserves of me a million.”
This is all we know of Tracy, but it suffices enough. A faithful dog, a
fond master--in these words his story is told.
Bounce--named most suggestive--belonged to Alexander Pope; Bean, to
the gentler poet, Cowper. Goldsmith had a dog, of course, and equally
of course it was a poodle. No creature less comic would serve his
turn. Sir Joshua Reynolds tells a story of the pair which reads like a
fragment from the Vicar of Wakefield: how one morning he called on the
improvident author, rather expecting to find him in low spirits, and
found him, instead, at his table, alternately writing a few words, and
looking over at the poodle which he had made stand on its hind legs in
a corner of the room.
In this fashion the impecunious one was amusing himself; and the great
artist looked on, no less amused in truth, and pleasantly sympathetic.
If only he had painted the scene, one wishes.
Very different in temperament was Lord Byron. Practically, he agreed
with Mme. de Staël in liking dogs the better, the more he knew of men.
He seems to have had as friendly a feeling for the animal world as his
contemporary, Scott, although showing it in a more whimsical fashion.
Scott would never have traveled with a private menagerie, but Byron
carried with him from England to Italy, “ten horses, eight enormous
dogs, three monkeys, five cats, an eagle, a crow and a falcon.”
Dogs were his favorites; they were friends whose affection could be
trusted, and whose criticism he had not to fear. Boatswain is almost
as widely known as his master. No one visits Newstead without seeing
his picture in the dining-room, and in the grounds his grave, with the
famous epitaph:
NEAR THIS SPOT
ARE DEPOSITED THE REMAINS OF ONE
WHO POSSESSED BEAUTY WITHOUT VANITY,
STRENGTH WITHOUT INSOLENCE,
COURAGE WITHOUT FEROCITY,
AND ALL THE VIRTUES OF MAN WITHOUT HIS VICES.
THIS PRAISE, WHICH WOULD BE UNMEANING FLATTERY
IF INSCRIBED OVER HUMAN ASHES,
IS BUT A JUST TRIBUTE TO THE MEMORY OF
BOATSWAIN, A DOG,
WHO WAS BORN AT NEWFOUNDLAND, MAY, 1803,
AND DIED AT NEWSTEAD ABBEY, NOV. 18, 1808.
Public-domain text, read in full here on John Shaqi.
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