Her first part with a professional opera company was that of Yum Yum in
"The Mikado." The Pike Opera Company later played in San Francisco, and
in that city she was heard in "La Perichole" by George E. Lask, the
stage manager of the Tivoli Theatre, which was, and is still, I believe,
given over to opera after the style of Henry W. Savage's various Castle
Square Theatre enterprises in the East. Miss Nielsen was engaged for the
Tivoli Company. She sang any small parts at first, but gradually arose
until she became the prima donna of the organization. In all, she is
said to have sung one hundred and fifty parts at the Tivoli, where she
remained for two years.
While she was singing Lucia, H. C. Barnabee of The Bostonians, which
organization was then playing in San Francisco, read of her in the
newspapers and went to hear her. The result was the offer of an
engagement, which she accepted. Her first part with The Bostonians was
Anita in "The War Time Wedding." Then she was given the small part of
Annabelle in "Robin Hood." She also sang in "The Bohemian Girl" and was
Ninette in "Prince Ananias." The next season she created Yvonne in "The
Serenade," and was the hit of the opera,--so much of a hit, indeed, that
nothing remained for her but to go starring in "The Fortune Teller."
CHAPTER II
VIRGINIA EARLE
An accomplished and versatile artist is Virginia Earle, who, because of
the variety of her attainments and the grace and finish of her art, is
entitled to rank with the foremost soubrettes on the American stage.
Miss Earle's ability has been tested in many forms of the drama. She has
appeared in light opera, in extravaganza, in musical comedy, and in the
Shakespearian drama. I question if there is another in her line now
before the public who can claim any such extensive experience.
[Illustration: VIRGINIA EARLE
As Winnifred Grey in "A Runaway Girl."]
It would be strange if this diversified endeavor had not had its effect
on her art. In her we find united with a personality of curiously subtle
charm an authority in action that is restful and refreshing. In her
presentation of a part there is neither hesitancy nor misplaced
endeavor. She always has command of herself and of the role that she is
portraying. One never for a moment feels that she is to the slightest
degree uncertain as regards the effect that she will produce on her
audience. She knows what to do and how to do it.
Public-domain text, read in full here on John Shaqi.
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