Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
ANONYMOUS ON CHRISTMAS BOOKS, 1837
W. F. FOX: EDITOR'S NOTE
From _The Monthly Repository_
W. F. FOX ON BROWNING'S "PAULINE"
DE QUINCEY: EDITOR'S NOTE
From Tail's _Edinburgh Magazine_
DE QUINCEY ON POPE
PREFACE
Although regular literary organs, and the critical columns of the press,
are both of comparatively recent origin, we find that almost from the
beginning our journalists aspired to be critics as well as newsmongers.
Under Charles II, Sir Roger L'Estrange issued his _Observator_ (1681),
which was a weekly review, not a chronicle; and John Dunton's _The
Athenian Mercury_ (1690), is best described as a sort of early "Notes
and Queries." Here, as elsewhere, Defoe developed this branch of
journalism, particularly in his _Review_ (1704), and in _Mist's Journal_
(1714). And, again, as in all other departments, his methods were not
materially improved upon until Leigh Hunt, and his brother John, started
_The Examiner_ in 1808, soon after the rise of the Reviews. Addison and
Steele, of course, had treated literary topics in _The Spectator_ or
_The Tatler_; but the serious discussion of contemporary writers began
with the Whig _Edinburgh_ of 1802 and the Tory _Quarterly_ of 1809.
By the end of George III's reign every daily paper had its column of
book-notices; while 1817 marks an epoch in the weekly press; when
William Jerdan started _The Observator_ (parent of our _Athenaeum_) in
order to furnish (for one shilling weekly) "a clear and instructive
picture of the moral and literary improvement of the time, and a
complete and authentic chronological literary record for reference."
Though probably there is no form of literature more widely practised,
and less organised, than the review, it would be safe to say that every
example stands somewhere between a critical essay and a publisher's
advertisement. We need not, however, consider here the many influences
which may corrupt newspaper criticism to-day, nor concern ourselves with
those legitimate "notices of books" which only aim at "telling the
story" or otherwise offering guidance for an "order from the library."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account