Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
give him credit for talents much more rare than the accuracy and
veracity which are the chief requisites in history. We fear, therefore,
that the exultation which we can conceive some of our gentle readers to
feel, at having Aristotle's warrant for (what probably they had never
dreamed of) the _philosophical character_ of their studies, must, in
practice, be somewhat qualified, by those sundry little violations of
probability which are to be met with in most novels; and which so far
lower their value, as models of real life, that a person who had no
other preparation for the world than is afforded by them, would form,
probably, a less accurate idea of things as they are, than he would of a
lion from studying merely the representations on China tea-pots.
Accordingly, a heavy complaint has long lain against works of fiction,
as giving a false picture of what they profess to imitate, and
disqualifying their readers for the ordinary scenes and everyday duties
of life. And this charge applies, we apprehend, to the generality of
what are strictly called novels, with even more justice than to
romances. When all the characters and events are very far removed from
what we see around us,--when, perhaps, even supernatural agents are
introduced, the reader may indulge, indeed, in occasional day-dreams,
but will be so little reminded by what he has been reading, of anything
that occurs in actual life, that though he may perhaps feel some
disrelish for the tameness of the scene before him, compared with the
fairy-land he has been visiting, yet at least his judgment will not be
depraved, nor his expectations misled; he will not apprehend a meeting
with Algerine banditti on English shores, nor regard the old woman who
shews him about an antique country seat, as either an enchantress or the
keeper of an imprisoned damsel. But it is otherwise with those fictions
which differ from common life in little or nothing but the improbability
of the occurrences: the reader is insensibly led to calculate upon some
of those lucky incidents and opportune coincidences of which he has been
so much accustomed to read, and which, it is undeniable, _may_ take
place in real life; and to feel a sort of confidence, that however
romantic his conduct may be, and in whatever difficulties it may involve
him, all will be sure to come right at last, as is invariably the case
with the hero of a novel.
Public-domain text, read in full here on John Shaqi.
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