Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
On the other hand, so far as these pernicious effects fail to be
produced, so far does the example lose its influence, and the exercise
of poetical justice is rendered vain. The reward of virtuous conduct
being brought about by fortunate accidents, he who abstains (taught,
perhaps, by bitter disappointments) from reckoning on such accidents,
wants that encouragement to virtue, which alone has been held out to
him. "If I were _a man in a novel_," we remember to have heard an
ingenious friend observe, "I should certainly act so and so, because I
should be sure of being no loser by the most heroic self-devotion and of
ultimately succeeding in the most daring enterprises."
It may be said, in answer, that these objections apply only to the
_unskilful_ novelist, who, from ignorance of the world, gives an
unnatural representation of what he professes to delineate. This is
partly true, and partly not; for there is a distinction to be made
between the _unnatural_ and the merely _improbable_: a fiction is
unnatural when there is some assignable reason against the events taking
place as described,--when men are represented as acting contrary to the
character assigned them, or to human nature in general; as when a young
lady of seventeen, brought up in ease, luxury and retirement, with no
companions but the narrow-minded and illiterate, displays (as a heroine
usually does) under the most trying circumstances, such wisdom,
fortitude, and knowledge of the world, as the best instructors and the
best examples can rarely produce without the aid of more mature age and
longer experience.--On the other hand, a fiction is still _improbable_,
though _not unnatural_, when there is no reason to be assigned why
things should not take place as represented, except that the
_overbalance of chances is_ against it; the hero meets, in his utmost
distress, most opportunely, with the very person to whom he had formerly
done a signal service, and who happens to communicate to him a piece of
intelligence which sets all to rights. Why should he not meet him as
well as any one else? all that can be said is, that there is no reason
why he should. The infant who is saved from a wreck, and who afterwards
becomes such a constellation of virtues and accomplishments, turns out
to be no other than the nephew of the very gentleman, on whose estate
the waves had cast him, and whose lovely daughter he had so long sighed
for in vain: there is no reason to be given, except from the calculation
of chances, why he should not have been thrown on one part of the coast
as well as another. Nay, it would be nothing unnatural, though the most
determined novel-reader would be shocked at its improbability, if all
the hero's enemies, while they were conspiring his ruin were to be
struck dead together by a lucky flash of lightning: yet many denouements
which _are_ decidedly unnatural, are better tolerated than this would
be. We shall, perhaps, best explain our meaning by examples, taken from
Public-domain text, read in full here on John Shaqi.
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