Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
Now, considering that Mr. Southey was at all events incapable of
sacrificing truth to Court favour, it cannot but be regarded as a rare
felicity in his subject, that he could thus select a pattern of private
purity and public honour in the person of the actual Sovereign, without
incurring the least suspicion either of base adulation or lax
morality....
It is impossible to feel any serious or general contempt for a person of
Mr. Southey's genius;--and, in reviewing his other works, we hope we
have shown a proper sense of his many merits and accomplishments. But
his Laureate odes are utterly and intolerably bad; and, if he had never
written any thing else, must have ranked him below Colley Cibber in
genius, and above him in conceit and presumption. We have no toleration
for this sort of perversity, or prostitution of great gifts; and do not
think it necessary to qualify the expression of opinions which we have
formed with as much positiveness as deliberation.--We earnestly wish he
would resign his livery laurel to Lord Thurlow, and write no more odes
on Court galas. We can assure him too, most sincerely, that this wish is
not dictated in any degree by envy, or any other hostile or selfish
feeling. We are ourselves, it is but too well known, altogether without
pretensions to that high office--and really see no great charms either
in the salary or the connexion--and, for the glory of writing such
verses as we have now been reviewing, we do not believe that there is a
scribbler in the kingdom so vile as to think it a thing to be coveted.
ON THOMAS MOORE
[From _The Edinburgh Review_, July, 1806]
_Epistles, Odes, and other Poems_. By THOMAS MOORE, Esq. 4to. pp. 350.
London, 1806.
A singular sweetness and melody of versification,--smooth, copious, and
familiar diction,--with some brilliancy of fancy, and some show of
classical erudition, might have raised Mr. Moore to an innocent
distinction among the song-writers and occasional poets of his day: But
he is indebted, we fear, for the celebrity he actually enjoys to
accomplishments of a different description; and may boast, if the boast
can please him, of being the most licentious of modern versifiers, and
the most poetical of those who, in our times, have devoted their talents
to the propagation of immorality. We regard his book, indeed, as a
public nuisance; and would willingly trample it down by one short
movement of contempt and indignation, had we not reason to apprehend,
that it was abetted by patrons who are entitled to a more respectful
remonstrance, and by admirers who may require a more extended exposition
of their dangers.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account