Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
Long habits of seclusion, and an excessive ambition of originality, can
alone account for the disproportion which seems to exist between this
author's taste and his genius; or for the devotion with which he has
sacrificed so many precious gifts at the shrine of those paltry idols
which he has set up for himself among his lakes and his mountains.
Solitary musings, amidst such scenes, might no doubt be expected to
nurse up the mind to the majesty of poetical conception,--(though it is
remarkable, that all the greater poets lived or had lived, in the full
current of society):--But the collision of equal minds,--the admonition
of prevailing impressions--seems necessary to reduce its redundancies,
and repress that tendency to extravagance or puerility, into which the
self-indulgence and self-admiration of genius is so apt to be betrayed,
when it is allowed to wanton, without awe or restraint, in the triumph
and delight of its own intoxication. That its flights should be graceful
and glorious in the eyes of men, it seems almost to be necessary that
they should be made in the consciousness that men's eyes are to behold
them,--and that the inward transport and vigour by which they are
inspired, should be tempered by an occasional reference to what will be
thought of them by those-ultimate dispensers of glory. An habitual and
general knowledge of the few settled and permanent maxims, which form
the canon of general taste in all large and polished societies--a
certain tact, which informs us at once that many things, which we still
love and are moved by in secret, must necessarily be despised as
childish, or derided as absurd, in all such societies--though it will
not stand in the place of genius, seems necessary to the success of its
exertions; and though it will never enable any one to produce the higher
beauties of art, can alone secure the talent which does produce them,
from errors that must render it useless. Those who have most of the
talent, however, commonly acquire this knowledge with the greatest
facility;--and if Mr. Wordsworth, instead of confining himself almost
entirely to the society of the dalesmen and cottagers, and little
children, who form the subjects of his book, had condescended to mingle
a little more with the people that were to read and judge of it, we
cannot help thinking, that its texture would have been considerably
improved: At least it appears to us to be absolutely impossible, that
any one who had lived or mixed familiarly with men of literature and
ordinary judgment in poetry (of course we exclude the coadjutors and
disciples of his own school), could ever have fallen into such gross
faults, or so long mistaken them for beauties. His first essays we
looked upon in a good degree as poetical paradoxes,--maintained
experimentally, in order to display talent, and court notoriety;--and so
maintained, with no more serious belief in their truth, than is usually
generated by an ingenious and animated defence of other paradoxes.
Public-domain text, read in full here on John Shaqi.
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