Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
History
Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Books -- Reviews; Criticism; English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
In one of Carlyle's inimitable "pen-portraits" he is described as "a
delicate, attractive, dainty little figure, as he merely walked about,
much more if he were speaking: uncommonly bright, black eyes, instinct
with vivacity, intelligence and kindly fire; roundish brow, delicate
oval face, full, rapid expression; figure light, nimble, pretty, though
so small, perhaps hardly five feet four in height.... His voice clear,
harmonious, and sonorous, had something of metallic in it, something
almost plangent ... a strange, swift, sharp-sounding, fitful modulation,
part of it pungent, _quasi latrant_, other parts of it cooing, bantery,
lovingly quizzical, which no charm of his fine ringing voice (_metallic_
tenor, of sweet tone), and of his vivacious rapid looks and pretty
little attitudes and gestures, could altogether reconcile you to, but in
which he persisted through good report and bad."
* * * * *
Perhaps Jeffrey's most famous criticism was the "This will never do" on
Wordsworth; of which Southey wrote to Scott, "Jeffrey, I hear, has
written what his friends call a _crushing_ review of the Excursion. He
might as well seat himself on Skiddaw, and fancy that he crushed the
mountain."
It is obvious, indeed, that the Lake poets had little respect for their
"superior" reviewers; whose opinions, on the other hand, were not
subject to influences from high places. It will be noticed that Jefferey
is even more severe on Southey's Laureate "Lays" than on his "Thalaba."
The review on Moore, quoted below, was followed by formal arrangements
for a duel at Chalk Farm on 11th August, 1806; but the police had orders
to interrupt, and pistols were loaded with paper. Even the semblance of
animosity was not maintained, as we find Moore contributing to the
_Edinburgh_ before the end of the same year.
We fear that the appreciation of Keats was partly influenced by
political considerations; since Leigh Hunt had so emphatically welcomed
him into the camp. It remains, however, a pleasing contrast to the
ferocious onslaught on _Endymion_ of Gifford printed below.
HENRY LORD BROUGHAM
(1779-1868)
Public-domain text, read in full here on John Shaqi.
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