So strong was the impression made on the mind of Frances by the society which she was in the habit of seeing and hearing, that she began to write little fictitious narratives as soon as she could use her pen with ease, which, as we have said, was not very early. Her sisters were amused by her stories. But Dr. Burney knew nothing of their existence; and in another quarter her literary propensities met with serious discouragement. When she was fifteen, her father took a second wife. The new Mrs. Burney soon found out that her daughter-in-law was fond of scribbling, and delivered several good-natured lectures on the subject. The advice no doubt was well-meant, and might have been given by the most judicious friend; for at that time, from causes to which we may hereafter advert, nothing could be more disadvantageous to a young lady than to be known as a novel-writer. Frances yielded, relinquished her favourite pursuit, and made a bonfire of all her manuscripts.[1] [1] There is some difficulty here as to the chronology. "This sacrifice," says the editor of the Diary, "was made in the young authoress's fifteenth year." This could not be; for the sacrifice was the effect, according to the editor's own showing, of the remonstrances of the second Mrs. Burney; and Frances was in her sixteenth year when her father's second marriage took place. She now hemmed and stitched from breakfast to dinner with scrupulous regularity. But the dinners of that time were early; and the afternoon was her own. Though she had given up novel-writing, she was still fond of using her pen. She began to keep a diary, and she corresponded largely with a person who seems to have had the chief share in the formation of her mind. This was Samuel Crisp, an old friend of her father. His name, well known, near a century ago, in the most splendid circles of London, has long been forgotten.