Crisp was an old and very intimate friend of the Burneys. To them alone was confided the name of the desolate old hall in which he hid himself like a wild beast in a den. For them were reserved such remains of his humanity as had survived the failure of his play. Frances Burney he regarded as his daughter. He called her his Fannikin, and she in return called him her dear Daddy. In truth, he seems to have done much more than her real father for the development of her intellect; for though he was a bad poet, he was a scholar, a thinker, and an excellent counsellor. He was particularly fond of Dr. Burney's concerts. They had, indeed, been commenced at his suggestion, and when he visited London he constantly attended them. But when he grew old, and when gout, brought on partly by mental irritation, confined him to his retreat, he was desirous of having a glimpse of that gay and brilliant world from which he was exiled, and he pressed Fannikin to send him full accounts of her father's evening parties. A few of her letters to him have been published; and it is impossible to read them without discerning in them all the powers which afterwards produced Evelina and Cecilia, the quickness in catching every odd peculiarity of character and manner, the skill in grouping, the humour, often richly comic, sometimes even farcical. Fanny's propensity to novel-writing had for a time been kept down. It now rose up stronger than ever. The heroes and heroines of the tales which had perished in the flames, were still present to the eye of her mind. One favourite story, in particular, haunted her imagination. It was about a certain Caroline Evelyn, a beautiful damsel who made an unfortunate love match, and died, leaving an infant daughter. Frances began to imagine to herself the various scenes, tragic and comic, through which the poor motherless girl, highly connected on one side, meanly connected on the other, might have to pass. A crowd of unreal beings, good and bad, grave and ludicrous, surrounded the pretty, timid, young orphan; a coarse sea-captain; an ugly insolent fop, blazing in a superb court-dress; another fop, as ugly and as insolent, but lodged on Snow Hill, and tricked out in second-hand finery for the Hampstead ball; an old woman, all wrinkles and rouge, flirting her fan with the air of a Miss of seventeen, and screaming in a dialect made up of vulgar French and vulgar English; a poet lean and ragged, with a broad Scotch accent. By degrees these shadows acquired stronger and stronger consistence: the impulse which urged Frances to write became irresistible; and the result was the history of Evelina.