Famous Singers of To-day and YesterdayLahee, Henry Charles
History
Famous Singers of To-day and Yesterday
Lahee, Henry Charles
Singers
Other singers of this period were Lavinia Fenton, who became the Duchess
of Bolton, and who is chiefly remarkable for having been the original
Polly in Gay's "Beggar's Opera;" Marthe le Rochois, who sang many of
Lulli's operas,--a woman of ordinary appearance but wonderful magnetism;
Madame La Maupin, one of the wildest, most adventurous and reckless
women ever on the stage; and Caterina Mingotti, a faultless singer, of
respectable habits. Mingotti was seized with the fatal ambition to
manage opera, and soon reached the verge of bankruptcy. She contrived,
however, to earn enough by singing during the succeeding five years to
support her respectably in her old age.
To this period also belongs Farinelli, or Broschi, who was the greatest
tenor of his age, perhaps the greatest who ever lived, for we are told
that there was no branch of his art which he did not carry to the
highest pitch of perfection. His career of three years in London was a
continuous triumph, and he is said to have made L5,000 each year,--a
very large sum in those days. His singing also restored to health Philip
V. of Spain, who was a prey to depression, and neglected all the affairs
of his kingdom. At the court of Spain his influence became immense until
Charles III. ascended the throne, when Farinelli quitted Spain, "at the
royal suggestion," and retired to Bologna.
Of the long list of men who have distinguished themselves as singers in
opera, it is curious to note that almost, if not quite, the first were a
Mario and a Nicolini, names which are familiar to us as belonging to
well-known tenors of this (nineteenth) century. Of Mario but little is
recorded; but Nicolini, whose full name was Nicolino Grimaldi Nicolini,
and who was born in 1673, is known to have sung at Rome in 1694. He
remained on the stage until 1726, but the date of his death is unknown.
Nicolini sang in England in 1708, and at several subsequent times, and
was well received. Addison wrote of him, concerning his acting, that "he
gave new majesty to kings, resolution to heroes, and softness to
lovers."
Public-domain text, read in full here on John Shaqi.
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