George Sand was of mixed national descent, and in her veins ran the
blood of heroes and of kings. The noble and the artist, the
_bourgeoisie_ and the people, all had their representatives among their
immediate ancestors. Her grandmother, the guardian of her girlhood, was
the child of Maurice, Marshal Saxe, that favorite figure in history and
romance, himself son of the famous Augustus II., Elector of Saxony, and
King of Poland, and the Swedish Countess Aurora von Koenigsmark. The
Marshal's daughter Aurore, though like her father of illegitimate
birth--her mother, who was connected with the stage, passed by her
professional name of Mlle. Verrieres--obtained after the Marshal's death
the acknowledgment and protection of his relatives in high places,
notably of his niece, the Dauphin of France, grand-daughter of Augustus
of Poland, and mother of the three kings--Louis XVI., Louis XVIII., and
Charles X.
Carefully educated at St. Cyr, Mlle. de Saxe was married, when little
more than a child, to the Count de Horn, who was also of partly royal
but irregular origin. He very shortly afterward fell in a duel. His
widow, at thirty, became the wife of M. Dupin de Franceuil, an old
gentleman of good provincial family and some fortune. Maurice, their
only child, was the father of George Sand.
Madame Dupin (the suffix de Franceuil was afterwards dropped by her
husband) appears to have inherited none of the adventurous and erratic
tendencies of her progenitors. Aristocratic in her sympathies,
philosophic in her intellect, and strictly decorous in her conduct,
throughout the whole of her long and checkered life she was regarded
with respect. Left a widow again, ten years after her second marriage,
she concentrated her hopes and affections on her handsome and amiable
son Maurice. Though fondly attached to her, he was yet to be the cause
of her heaviest sorrows, by his more than hazardous marriage, and by his
premature and tragical fate.
His strongest natural leanings seem to have been towards art in general,
music and the drama in particular, and of his facile, buoyant, artist
temperament there is ample evidence; but the political conditions of
France under the Directory in 1798 left him no choice but to enter the
army, where he served under Dupont, winning his commission on the field
of Marengo in 1800. It was during this Italian campaign that the young
officer met with the woman who, four years later, became his wife, and
the mother of his illustrious child.
Public-domain text, read in full here on John Shaqi.
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