But she had dabbled in painting, and remained fond of it. "The finest of
the arts," she calls it, writing to her mother in 1830, "and the most
pleasant, as a life-occupation, whether taken up for a profession, or
for amusement merely. If I had real talent, I should consider such a lot
the finest in the world." But neither did the decoration of fans and
snuff-boxes nor the production of little water-color likenesses of her
children and friends, beyond which her art did not go, promise anything
brilliant in the way of remuneration.
In her circle of friends at La Chatre--old family friends who had known
her all her life--were those who had recognized and admired her superior
ability. Here, too, she met more than one young spirit with literary
aspirations, and one, at least, M. Jules Sandeau, who was afterwards to
achieve distinguished literary success. The desire to go and do
likewise came and took hold of her, together with the conviction of her
capability to make her mark. However discontented with her essays in
novel-writing hitherto, she began to be conscious she was on the right
track. The Revolution of July, 1830, had just been successfully
accomplished, and new hopes and ambitions for the world in general, and
their own country in particular, lent a stimulus to the intellectual
activity of the youth of France--a movement too strong not to make
itself felt, even in Berry.
The state of things at Nohant for the last two years had, as we have
seen, been tending rather to stifle than to keep alive any hesitation or
compunction Madame Dudevant might have felt at breaking openly from her
present condition. In a letter, dated October, 1830, to her son's
private tutor, M. Boucoiran, who had then been a year under their roof
in that capacity, she remarks, significantly:
You often wonder at my mobility of temper, my flexible character.
What would become of me without this power of self-distraction? You
know all in my life, and you ought to understand that but for that
happy turn of mind which makes me quickly forget a sorrow, I should
be disagreeable and perpetually withdrawn into myself, useless to
others, insensible to their affection.
Public-domain text, read in full here on John Shaqi.
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