The compositions of Chopin above alluded to, include the finest of his well-known Preludes, which may easily be conceived of as suggested by the strange mingling of contrasting impressions in the Chartreuse. "Several of these Preludes," writes Madame Sand, "represent the visions that haunted him of deceased monks, the sounds of funeral chants; others are soft and melancholy; these came to him in his hours of sunshine and health, at the sound of the children's laughter beneath the window, the distant thrum of guitars and the songs of the birds under the damp foliage; at the sight of the pale little roses in bloom among the snow." The loneliness and melancholy beauty of the spot, however congenial to the romance writer or inspiring to the composer, were not the right tonics for the nerves of the over-sensitive, imaginative invalid. The care and nursing of Madame Sand made amends for much, and by her good sense she saved him from being doctored to death by local practitioners. But his fortitude, which bore up heroically against his personal danger, was not proof against the dreary influences of Valdemosa in bad weather, the fogs, the sound of the hurricane sweeping through the valley, and bringing down portions of the dilapidated building, the noise of the torrents, the cries of the scared sea-birds and the roar of the sea. The elevation of the Chartreuse made the climate peculiarly disagreeable at this season. She writes on:-- We lived in the midst of clouds, and for fifty days were unable to get down into the plains; the roads were changed to torrents, and we saw nothing more of the sun. I should have thought it all beautiful if poor Chopin could only have got on. Maurice was none the worse. The wind and the sea sung sublimely as they beat against the rocks. The vast and empty cloisters cracked over our heads. If I had been there when I wrote the portion of _Lelia_ that takes place in the convent, I should have made it finer and truer. But my poor friend's chest got worse and worse. The fine weather did not return.... A maid I had brought over from France, and who so far had resigned herself, on condition of enormous wages, to cook and do the housework, began to refuse attendance, as too hard. The moment was coming when after having wielded the broom and managed the _pot au feu_, I was ready to drop with fatigue--for besides my work as tutor, besides my literary labor, besides the continual attention necessitated by the condition of my invalid, I had rheumatism in every limb.