As a signal contrast to this way of life came for a time the annual
visits to Paris--suspended after she was ten years old. There liberty
ended, and the girl was transported into a novel and most uncongenial
sphere. Her grandmother's friends and relatives were mostly old people,
who clung to antiquated modes and customs; and distinguished though such
circles might be, the youngest member only found out that they were
intolerably dull. The wrinkled countesses with their elaborate toilettes
and ceremonious manners, the _abbes_ with their fashionable
tittle-tattle and their innumerable snuff-boxes, the long dinners, the
accomplishment-lessons, notably those in dancing and deportment, were
repugnant to the soul of the little hoyden. She made amends to herself
by observing these new scenes and characters narrowly, with the acute
natural perception that was one of her leading gifts. From this
artificial atmosphere of constraint, it was inevitable that she should
welcome hours of escape into her mother's unpretending domestic circle;
and already at ten years old she had pronounced the lot of a
scullery-maid enviable, compared to that of an old _marquise_.
Nevertheless the fact of her having, at an age when impressions are
strongest, and most lasting, mixed freely and on equal terms with the
upper classes of society, was a point in her education not without its
favorable action on her afterwards as a novelist. Despite her firm
republican sympathies, emphatic disdain for mere rank and wealth, and
her small mercy for the foibles of the fashionable world, she can enter
into its spirit, paint its allurements without exaggeration, and
indicate its shortcomings with none of that asperity of the outsider
which always suggests some unconscious envy lurking behind the scorn.
Public-domain text, read in full here on John Shaqi.
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