Fancies Versus FadsChesterton, G. K. (Gilbert Keith)
General
Fancies Versus Fads
Chesterton, G. K. (Gilbert Keith)
English essays -- 20th century
never heard of, because he has an intense internal dislike of the old
morality that Shakespeare could not help hearing of. And that morality,
which some of us believe to be based on a much more realistic
psychology, is that punishment as punishment is a perfectly healthy
process, not merely because it is reform, but also because it is
expiation. What the modern world means by proposing to substitute pity
for punishment is really very simple. It is that the modern world dare
not punish those who are punishable, but only those who are pitiable. It
would never touch anyone so important as King Claudius--or Kaiser
William.
Now this truth is highly topical just now. The point about Hamlet was
that he wavered, very excusably, in something that had to be done; and
this is the point quite apart from whether we ourselves would have done
it. That was pointed out long ago by Browning in “The Statue and the
Bust.” He argued that even if the motive for acting was bad, the motive
for not acting was worse. And an action or inaction is judged by its
real motive, not by whether somebody else might have done the same thing
from a better motive. Whether or no the tyrannicide of Hamlet was a
duty, it was accepted as a duty and it was shirked as a duty. And that
is precisely true of a tyrannicide like that for which everybody
clamoured at the conclusion of the Great War. It may have been right or
wrong to punish the Kaiser; it was certainly even more right to punish
the German generals and admirals for their atrocities. But even if it
was wrong, it was not abandoned because it was wrong. It was abandoned
because it was troublesome. It was abandoned for all those motives of
weakness and mutability of mood which we associate with the name of
Hamlet. It might be glory or ignominy to shed the blood of imperial
enemies, but it is certainly ignominy to shout for what you dare not
shed; “to fall a-cursing like a common drab, a scullion.” Granted that
we had no better motives than we had then or have now, it would
certainly have been more dignified if we had fatted all the region-kites
with this slave’s offal. The motive is the only moral test. A saint
might provide us with a higher motive for forgiving the War-Lords who
butchered Fryatt and Edith Cavell. But we have not forgiven the
War-Lords. We have simply forgotten the War. We have not pardoned like
Christ; we have only procrastinated like Hamlet. Our highest motive has
been laziness; our commonest motive has been money. In this respect
indeed I must apologize to the charming and chivalrous Prince of Denmark
for comparing him, even on a single point, with the princes of finance
and the professional politicians of our time. At least Hamlet did not
spare Claudius solely because he hoped to get money out of him for the
salaries of the Players, or meant to do a deal with him about wine
supplied to Elsinore or debts contracted at Wittenburg. Still less was
Public-domain text, read in full here on John Shaqi.
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