Fancies Versus FadsChesterton, G. K. (Gilbert Keith)
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Fancies Versus Fads
Chesterton, G. K. (Gilbert Keith)
English essays -- 20th century
Having lately taken part in a pageant of Nursery Rhymes, in the
character of Old King Cole, I meditated not so much on the glorious past
of the great kingdom of Colchester, as on the more doubtful future of
Nursery Rhymes. The Modern Movements cannot produce a nursery rhyme; it
is one of the many such things they cannot even be conceived as doing.
But if they cannot create the nursery rhyme, will they destroy it? The
new poets have already abolished rhyme; and presumably the new
educationalists will soon abolish nurseries. Or if they do not destroy,
will they reform; which is worse? Nursery rhymes are a positive network
of notions and allusions of which the enlightened disapprove. To take
only my own allotted rhyme as an example, some might think the very
mention of a king a piece of reactionary royalism, inconsistent with
that democratic self-determination we all enjoy under some five
Controllers and a committee of the Cabinet. Perhaps in the amended
version he will be called President Cole. Probably he will be confused
with Mr. G. D. H. Cole, the first President of the Guild Socialistic
Republic. With the greatest admiration for Mr. Cole, I cannot quite
picture him as so festive a figure; and I incline to think that the
same influences will probably eliminate the festivity. It is said that
America, having already abolished the bowl, is now attempting to abolish
the pipe. After that it might very reasonably go on to abolish the
fiddlers; for music can be far more maddening than wine. Tolstoy, the
only consistent prophet of the Simple Life, did really go on to denounce
music as a mere drug. Anyhow, it is quite intolerable that the innocent
minds of children should be poisoned with the idea of anybody calling
for his pipe and his bowl. There will have to be some other version,
such as: “He called for his milk and he called for his lozenge,” or
whatever form of bodily pleasure is still permitted to mankind. This
particular verse will evidently have to be altered a great deal; it is
founded on so antiquated a philosophy, that I fear even the alteration
will not be easy or complete. I am not sure, for instance, that there is
not a memory of animism and spiritism in the very word “soul,” used in
calling the monarch a merry old soul. It would seem that some other
simple phrase, such as “a merry old organism,” might be used with
advantage. Indeed it would have more advantages than one; for if the
reader will say the amended line in a flowing and lyrical manner, he
cannot but observe that the experiment has burst the fetters of formal
metre, and achieved one of these larger and lovelier melodies that we
associate with _vers libre_.
Public-domain text, read in full here on John Shaqi.
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