Fancies Versus FadsChesterton, G. K. (Gilbert Keith)
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Fancies Versus Fads
Chesterton, G. K. (Gilbert Keith)
English essays -- 20th century
Long lists are being given of particular cases in which children have
suffered in spirits or health from alleged horrors of the kinema. One
child is said to have had a fit after seeing a film; another to have
been sleepless with some fixed idea taken from a film; another to have
killed his father with a carving-knife through having seen a knife used
in a film. This may possibly have occurred; though if it did, anybody of
common sense would prefer to have details about that particular child,
rather than about that particular picture. But what is supposed to be
the practical moral of it, in any case? Is it that the young should
never see a story with a knife in it? Are they to be brought up in
complete ignorance of “The Merchant of Venice” because Shylock
flourishes a knife for a highly disagreeable purpose? Are they never to
hear of Macbeth, lest it should slowly dawn upon their trembling
intelligence that it is a dagger that they see before them? It would be
more practical to propose that a child should never see a real
carving-knife, and still more practical that he should never see a real
father. All that may come; the era of preventive and prophetic science
has only begun. We must not be impatient. But when we come to the cases
of morbid panic after some particular exhibition, there is yet more
reason to clear the mind of cant. It is perfectly true that a child will
have the horrors after seeing some particular detail. It is quite
equally true that nobody can possibly predict what that detail will be.
It certainly need not be anything so obvious as a murder or even a
knife. I should have thought anybody who knew anything about children,
or for that matter anybody who had been a child, would know that these
nightmares are quite incalculable. The hint of horror may come by any
chance in any connexion. If the kinema exhibited nothing but views of
country vicarages or vegetarian restaurants, the ugly fancy is as likely
to be stimulated by these things as by anything else. It is like seeing
a face in the carpet; it makes no difference that it is the carpet at
the vicarage.
Public-domain text, read in full here on John Shaqi.
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