Well, you can see for yourself what I’m coming to; the Greensmith,
with an amount of indecent haste impossible to a human being of any
refinement or judgment, fell head over heels in love with Millicent
Warne. His pretensions were merely those of the pocket; his appearance
would have made the most ancient and amorous spinster think twice;
his age placed him upon the confines of sere and yellow, for he was
thirty-four. How he lorded it over everybody on the strength of his
five thousand a year! How he explained that he was better mounted,
groomed, dressed, educated, and mentally equipped than any other man
at that time within the confines of Warwickshire! And all the time I
knew that when I came of age, next year, I should be able to swamp him
even in the matter of filthy lucre, as I did now in the matter of brain
power. Not that I am anything worth mentioning mentally; but the man
with one eye is king where all else are blind, and I at least had sense
to know that I was not much better than a fool, whereas Greensmith was
that pitiable spectacle, a fool who thinks himself a wise man.
Of course, I saw the growing intimacy and the barefaced way in which
Millicent tolerated him, especially in my presence. I spoke about it
more than once, and to my surprise, Miss Warne took up an attitude of
indifference. We did not quarrel, because I am a man with whom it
is impossible for a woman to be on bad terms; but we differed, and I
watched the flirtation, for it was hardly less, with some discomfort.
Here was the best girl I had ever seen or heard of deliberately
encouraging a sort of man one did not like to see in the same
hemisphere with her.
Greensmith’s charade brought matters to a climax in a way beyond human
power to foretell. Of course, when the thing was proposed he took up
the running. What he didn’t know about charades wasn’t worth knowing;
so he undertook to write one, arrange the parts, paint the scenes,
and stage-manage. Millicent, to my amazement, threw herself into the
project very heartily, and seemed much disappointed when Greensmith
said he should not act himself.
“The author never does,” he explained. “You are my puppets for the time
being. It will take me all my time to rehearse you and lick you into
shape.”
To hear Greensmith thus talk about licking county people into shape
made my blood boil. It took Millicent two hours by the study clock to
get me to promise to play a part. But I did it, chiefly that I might
have an excuse for being present at rehearsals and so forth. A hard
frost came at the critical moment, so hunting was suspended, and we had
ample leisure for the charade.
Greensmith said, when he read his drivel to the company: “There are
three syllables, and then the whole word; four scenes in all, and each
depends upon the others. I’ve given a taste of Gilbert’s epigrammatic
style in the first scene; the second suggests the robust manner of
Jones; the third recalls Pinero.”
Public-domain text, read in full here on John Shaqi.
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