“They’ll laugh all right without that,” he said, looking nasty. “You’d
make a cow laugh in those things.” I had on an old fancy-dress ball
costume representing something out of Shakespeare; and I know I looked
jolly well, because Warne said so himself, but this vulgarity of
Greensmith’s set me thinking. I am the most soft-hearted brute really,
and somehow the spectacle of Greensmith in evening dress, with the
prompt-copy of his drivel in his hand, with a red silk handkerchief
sticking out of his shirt-front, green clocks to his little socks, a
bunch of violets in his buttonhole, and diamonds stuck on him wherever
the same could be placed without absolute absurdity, made my heart
bleed. I wept inwardly--not for him, but for the sweet, innocent woman
he was slowly luring into his toils. Pity is akin to love, and now I
actually found myself head over ears again! Millicent happened to be
a very pretty girl, beautifully English, with sweet eyes and a very
poetical way of walking. Besides, there was the background of romance.
At any rate I must propose once more, though somehow I felt it was too
late. Then that blighted Greensmith gave me the very idea I required.
He said:
“Well, thank goodness, the best thing in your part is the letter you’re
supposed to send proposing marriage. You can’t ruin that because it’s
all typewritten. Remember you gave it to the girl in the first scene.
Don’t go on, for mercy’s sake, and then find you’ve forgotten the
thing.”
“It’s here,” I said, showing him the letter tied up with a bit of
red silk. Then an inspiration of the sort that only comes once in a
lifetime and sometimes never at all, rolled into my mind. I cleared off
into the library, which was approached from the stage in the hall.
I then opened the letter, put P.T.O. at the bottom of Greensmith’s
idiotic stuff, and wrote on the blank sheet which followed it. What
I said is no business of yours or any other man’s. Suffice it that I
touched lightly on the past, hinted that, in my opinion, Millicent
was running frightful risks, explained that I loved her too well to
see her throw herself away on a foreign body whose name would readily
occur to her, and finally explained that my views on matrimony were
changed, and that if she thought it was good enough--well, you know
the sort of letter. If you haven’t written one, you’ve said the same
thing by word of mouth; or you will; or you ought to. The reason for
my haste was that I had already seen a proposal on Greensmith’s lips
every time he caught sight of Miss Warne. I also knew that he would
have opportunities, denied to me that night, of seeing her at the wings
and elsewhere. I hoped to get one word after the first scene was over,
however.
Public-domain text, read in full here on John Shaqi.
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