Fanny and the Servant ProblemJerome, Jerome K. (Jerome Klapka)
General
Fanny and the Servant Problem
Jerome, Jerome K. (Jerome Klapka)
Comedy plays; English drama; Married people -- Drama
FANNY [_still at desk_]. Because they’re that sort. They honestly think
they are doing the right and proper thing—that Providence has put it into
their hands to turn me out a passable substitute for all a Lady Bantock
should be; which, so far as I can understand, is something between the
late lamented Queen Victoria and Goody-Two-Shoes. They are the people
that I ran away from, the people I’ve told you about, the people I’ve
always said I’d rather starve than ever go back to. And here I am,
plumped down in the midst of them again—for life! [_Honoria Bennet_,
_the_ “_still-room_” _maid_, _has entered_. _She is a pert young minx of
about Fanny’s own age_.] What is is? What is it?
HONORIA. Merely passing through. Sorry to have excited your ladyship.
[_Goes into dressing-room_.]
FANNY. My cousin Honoria. They’ve sent her up to keep an eye upon me.
Little cat! [_She takes her handkerchief_, _drapes it over the keyhole
of the dressing-room door_.]
NEWTE [_at sight of Honoria he has jumped up and hastily hidden his cigar
behind him_]. What are you going to do?
FANNY [_she seats herself and suggests to him the writing-chair_]. Hear
from you—first of all—exactly what you told Vernon.
NEWTE [_sitting_]. About you?
FANNY [_nods_]. About me—and my family.
NEWTE. Well—couldn’t tell him much, of course. Wasn’t much to tell.
FANNY. I want what you did tell.
NEWTE. I told him that your late father was a musician.
FANNY. Yes.
NEWTE. Had been unfortunate. Didn’t go into particulars. Didn’t seem
to be any need for it. That your mother had died when you were still
only a girl and that you had gone to live with relatives. [_He looks for
approval_.]
FANNY. Yes.
NEWTE. That you hadn’t got on well with them—artistic temperament, all
that sort of thing—that, in consequence, you had appealed to your
father’s old theatrical friends; and that they—that they, having regard
to your talent—and beauty—
FANNY. Thank you.
NEWTE. Had decided that the best thing you could do was to go upon the
stage. [_He finishes_, _tolerably well pleased with himself_.]
FANNY. That’s all right. Very good indeed. What else?
NEWTE [_after an uncomfortable pause_]. Well, that’s about all I knew.
FANNY. Yes, but what did you _tell_ him?
NEWTE. Well, of course, I had to tell him something. A man doesn’t
marry without knowing just a little about his wife’s connections.
Wouldn’t be reasonable to expect him. You’d never told me anything—never
would; except that you’d liked to have boiled the lot. What was I to do?
[_He is playing with a quill pen he has picked up_.]
FANNY [_she takes it from him_]. What _did_ you do?
NEWTE [_with fine frankness_]. I did the best I could for you, old girl,
and he was very nice about it. Said it was better than he’d expected,
and that I’d made him very happy—very happy indeed.
Public-domain text, read in full here on John Shaqi.
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