Fanny Campbell, The Female Pirate Captain: A Tale of The RevolutionBallou, Maturin M. (Maturin Murray)
History
Fanny Campbell, The Female Pirate Captain: A Tale of The Revolution
Ballou, Maturin M. (Maturin Murray)
Sea stories; United States -- History -- Revolution, 1775-1783 -- Fiction; War stories; Women pirates -- Fiction
Fanny too sought her chamber for the night but not to sleep, ah! no. She
knelt to the throne of grace, and prayed for Heaven’s choicest blessings
on him she loved, for his safe conduct upon the wide and trackless
ocean. And oh! so fervent a prayer, and from one so devoted, so pure and
innocent, must ever find audience in Heaven. As she cast off her neat
and becoming homespun dress, she paused to brush away the gathering
tears.
Have we described Fanny’s person, kind reader? No! What more fitting
time than when clothed only in such a simple and modest covering as
shall veil her charms.
Fanny Campbell was in height what would be called tall at the present
day for a female, and yet she was not particularly so, for a healthy
girl, who had never known a day of sickness, born and brought up in
the free and invigorating air of the sea coast. Her limbs and person
possessed that bewitching roundness, which, while it seems to indicate
a tendency to _enbon-point_, yet is the farthest removed from an
overfleshiness of habit her full heaving breast, her perfectly formed
limbs, her round and dimpled arms, all spoke of a voluptuousness of
person, and yet within the most delicate rule of beauty. A painter
should have seen her there, her person modestly veiled yet displaying
her form in most ravishing distinctness; her breast heaving with
emotions, and her hands clasped and raised towards Heaven. Her
features were after the Grecian school, with a coral lip that melted
an anchorite. Where Fanny got those eyes from, Heaven only knows, they
rivalled a Circassian’s. Nature seemed to have delighted in ornamenting
her with every gift it might bestow. Her teeth were regular and white as
pearls, and her hair was a very dark auburn, worn parted smoothly across
her brow, and gathered in a modest snood behind the head, while it was
easy to see by its very texture that if left to itself, it would have
curled naturally.
Such was Fanny Campbell.
Public-domain text, read in full here on John Shaqi.
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