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Transcriber's note:
In many places, this work contains asterisks within words
(as a form of censorship?) or to represent missing fragments
of text. These asterisks, while they appear clumsy, are
preserved in order to avoid changing the meaning of the
text. Because of the prevalence of asterisks in the work,
thought breaks are denoted by strings of dashes instead of
the standard strings of asterisks.
Text surrounded by underscores is italicized in the original
work.
The string [oe] is used to refer to the oe ligature, which
is not available in this character set.
FANNY
WITH
OTHER POEMS.
[Illustration: WEEHAWKEN.]
New-York
Harper & Brothers
FANNY,
"A fairy vision
Of some gay creatures of the element,
That in the colours of the rainbow live,
And play in the plighted clouds."
MILTON.
FROM THE EDITION OF 1821.
F. G. Halleck.
New-York:
Harper & Brothers, 82 Cliff Street
1846.
Entered, according to Act of Congress, in the year 1839, by
Harper & Brothers,
in the Clerk's Office of the Southern District of New-York.
CONTENTS.
PAGE
Fanny ...........................................5
The Recorder ...................................73
EPISTLES, ETC.
To W*lt*r B*wne, Esq. ..........................95
To ***** ......................................101
A Fragment ....................................107
Song, by Miss *** .............................111
Song, for the Drama of the Spy ................115
Address at the Opening of a new Theatre .......117
The Rhyme of the Ancient Coaster ..............121
FANNY.
I.
Fanny was younger once than she is now,
And prettier of course: I do not mean
To say that there are wrinkles on her brow;
Yet, to be candid, she is past eighteen--
Perhaps past twenty--but the girl is shy
About her age, and Heaven forbid that I
II.
Should get myself in trouble by revealing
A secret of this sort; I have too long
Loved pretty women with a poet's feeling,
And when a boy, in day dream and in song,
Have knelt me down and worshipp'd them: alas!
They never thank'd me for't--but let that pass.
III.
Public-domain text, read in full here on John Shaqi.
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