And as an example--a very simple one--of how a scientist of the most innocent modern sort may hint at truths which, when stated, he would laugh at as fantastic nonsense, let us quote a word from the already old-fashioned "Golden Bough." "It must have appeared to the ancient Aryan that the sun was periodically recruited from the fire which resided in the sacred oak." Exactly. The fire which resided in the Tree of Life. That is, life itself. So we must read: "It must have appeared to the ancient Aryan that the sun was periodically recruited from life."--Which is what the early Greek philosophers were always saying. And which still seems to me the real truth, the clue to the cosmos. Instead of life being drawn from the sun, it is the emanation from life itself, that is, from all the living plants and creatures which nourish the sun. Of course, my dear critic, the ancient Aryans were just doddering--the old duffers: or babbling, the babes. But as for me, I have some respect for my ancestors, and believe they had more up their sleeve than just the marvel of the unborn me. One last weary little word. This pseudo-philosophy of mine--"pollyanalytics," as one of my respected critics might say--is deduced from the novels and poems, not the reverse. The novels and poems come unwatched out of one's pen. And then the absolute need which one has for some sort of satisfactory mental attitude towards oneself and things in general makes one try to abstract some definite conclusions from one's experiences as a writer and as a man. The novels and poems are pure passionate experience. These "pollyanalytics" are inferences made afterwards, from the experience. And finally, it seems to me that even art is utterly dependent on philosophy: or if you prefer it, on a metaphysic. The metaphysic or philosophy may not be anywhere very accurately stated and may be quite unconscious, in the artist, yet it is a metaphysic that governs men at the time, and is by all men more or less comprehended, and lived. Men live and see according to some gradually developing and gradually withering vision. This vision exists also as a dynamic idea or metaphysic--exists first as such. Then it is unfolded into life and art. Our vision, our belief, our metaphysic is wearing woefully thin, and the art is wearing absolutely threadbare. We have no future; neither for our hopes nor our aims nor our art. It has all gone gray and opaque. We've got to rip the old veil of a vision across, and find what the heart really believes in, after all: and what the heart really wants, for the next future. And we've got to put it down in terms of belief and of knowledge. And then go forward again, to the fulfillment in life and art.